Suggestions:
a. Don't print all the negs. That's wasteful. Learn to use a lightbox and loupe, or get a cheap 4base scan if you really need to and only enlarge the really stunning shots.
However, if you want to calculate the cost of printing every shot, you should do the same for your DSLR shots to achieve a meaningful comparison.
b. Be more economical in your shooting.
I don't know what you do to shoot 50 rolls a year, in the old days, statistics showed the "average" Joe in the US shot 4 rolls a year. Yes, CS-ers shoot more than the average Joe, but that's because they have DSLR's. If they were all shooting film, I doubt they would shoot half as many shots, and they would not be running from event to event or from model shoot to model shoot, shooting 300-500 each time.
Just for myself, at CS "model shoots" I usually shoot only 2-3 rolls (ie less than 100 shots), and I don't go for every model shoot. However, when I ask around, the DSLR users typically shoot 300 or more. And I'm moving into medium format soon, where one 120 roll has 12 shots only, so I'll be shooting even more economically.
My greatest shoot volume is during vacations, I shot 28 rolls on my last trip to US (21 days) but that's because I shot the same scene in both black and white and colour. I don't take vacations every year.
c. Your time has a cost as well, which film users do not incur in the same manner or quantity.
The cost of post-processing, of noise-ninja, of sharpening, of adjusting white balance, levels, etc. Film users just send the negs to the lab and complain until the picture is to their satisfaction. Thankfully, most pro labs do a good job, and I don't have to do that.
Nowadays with work and with two toddlers, I find my time to be extremely precious-- even to get a few hours off to catch a movie with my wife is so difficult-- that the cost of shooting film is cheap compared to the time I gain.
How much is your time worth to you?
d. If you shoot 50 rolls of negs, you have 50 rolls of negs to keep for years to come.
If you shoot 2000 shots, you still have to find a way to store your RAW files and PSD files, and back them up/update them if necessary, which means hard disks/RAID's, DVD's, RAW editing programs, memory, powerful PC and colour calibrated monitor to run the Photoshop version 1000, etc. All these need to be factored into your cost calculations as well.
Wai Leong
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zac08 said:
Expensive?
Actually, if you did a calculation, film can be more expensive than digital, as the cost of developing increases, it can be real costly.
Let's just place it at $3.50 per roll of 36exp ISO 400 fuji
50 rolls is $175
Developing the roll and printing to 4R is about $12 - 15
50 rolls is $600 (going by the lower figure)
total for 50 roll is $775. So if you shoot about 50 rolls per year and going by a 2 year calculation, you'd have spent enough to buy yourself a D50 kit and some spares.
Of course, film quality is still there (that we can't deny) But for the hobbyist shooter, I guess the cost can be justified.