renaissance_myth
Senior Member
Guess I didn't make the wrong choice haha getting it soon in oct/nov... lighter on my pockets too... =)
you will not regret it at all

Guess I didn't make the wrong choice haha getting it soon in oct/nov... lighter on my pockets too... =)
Haha!! Thanks! You have the sig's 35mm art too? Im loving it lol but hope i did make the correct choice...
Thanks bro... lots of people encouraging me to get the 1.4 or even the sigma one instead of splurging on this piece of expensive glass... What are your views my mentors?
Not really. If you are suay, then the copy you get may need to be calibrated. Else, most of the lenses work well with canon bodies.Is it a must to calibrate Sigma lens everytime for the auto focus?
Another one. Working space for this shot is really tight so the TS-E 17mm was a life saver.
You can use almost any lens for landscapes but since you are asking about the 17mm TS-E, I assume that you are looking at wide angles.
I never thought of using the 17mm TS-E for landscapes though, for a few reasons. You need optional adaptor/holder kit if you want to use filters with this lens. That can be expensive. Unless I am going for certain effects, I hardly use tilt and shift for landscapes. Granted, you can increase the DOF with tilt but a 17mm would have so much DOF, you probably won't need the tilt if you shoot stopped down with a tripod. IMO, you are psying a lot for things you don't really need or seldom use. I would have gone for a lightweight wide angle zoom for travel work e.g. the 17-40mm f/4.
If its a wide angle prime you must buy, consider the Zeiss 18mm f/3.5 ZF. It costs lesser the the 17mm TS-E and takes 82mm filters. A LEE foundation kit with an 82mm adaptor is all you need to use filters with this lens. Of course, you need to get some slot-in filters.
Buy a tilt/shift lens only if you need tilt and shift. Otherwise, there are many cheaper options which are just as good.
The date is nearer ! 50mm ?! do u guys shoot wide open ? like on f1.2 ? i was thinking, if i get that lens and i don't shoot wide open would i be wasting money ?
The 1.2 lens are ideally meant to shoot at its widest aperture for it "dreamy" looks. I used 50L and having the 85L II and when i use this lens, I shoot most time from 1.2 - 2 which is dead sharp enough for my clients.
The build quality, colours rendition, sharpness and bokeh effects are definitely worth the pennies IMO.
Do note the focusing are kinda slow on these 2 lenses as compared to USM.
hmm but at 1.2 don't you get some features that are supposed to be sharp blurred out ? that's why i'm afraid i'm unable to shoot at 1.2
A lens is definitely less sharp wide open but a good fast lens, while not at its sharpest, has to be sharp enough wide open. Otherwise, as you have said, you would be wasting money and its purpose is defeated. Dof and AF speed can also result in poorer shots but these are issues that the photographer has to overcome with skill. IMHO, 50L and 85L are sharp enough per se at 1.2.
hmm . . . thanks andrew . . can you enlighten me on some tips on using primes shooting wide open ? i can feel myself moving towards primes than zooms. Other mentors/seniors can join in as well, i'm new to primes and here to learn from the veterans and professionals.
Yeap focusing is a little slower, i'm doing more on weddings and portraits . . . hmm but at 1.2 don't you get some features that are supposed to be sharp blurred out ? that's why i'm afraid i'm unable to shoot at 1.2