Small update on the AiS 50mm f/1.2.
Second time I use this lens, once in NY City Grand Central Station where I met this Brazilian photographer who had the D800 and the 50mm f/1.2 and nothing else. Chatted with him, and found out that he jumped ship to Canon some years back and sold all his Nikkors, but kept the 50mm f/1.2. Just returned to Nikon-land with the D800. I had the AFD 20mm f/2.8 so we swapped lens for 10 minutes.
And the few test shots I took in the Osaka-Kyoto train and with my family over dinner. Too boring or too personal to post pictures.
And bought the lens when I was about to leave Japan and the splendour of Autumn at Kyoto meant that I had no chance to use it to shoot the red leaves. :cry:
Impression
- Beautifully made lens (but most, if not all, manual focus Nikkors are beautifully made).
- At f/1.2 and f/2 (I have not shot at any other apertures yet :embrass
![Smile :) :)](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
the in-focus points are sharp, maybe not pin-sharp, but subjectively very sharp. This subjectively very sharp in-focus point may be due to the out-of-focus part being nicely soft, almost dreamy soft, something I didn't see with my AFS 50mm f/1.4G, AFD/AF 50mm f/1.4, AFD/AF 50mm f/1.8, and Ai 50mm f/2. It is this almost magical softness that hits me. Have not tested 50mm f/1.4 Nikkor-S and 5cm f/2 Nikkor-S on FX yet, waiting to use them on Df (being non-Ai).
Yes I now have six (6) 50mm Nikkor lenses with me! Another coming round Christmas (AFS 50mm f/1.8G SE with Df), and I pulled myself from buying a 50mm f/2 Nikkor-H.C. last week while at Tokyo!