wootsk
Deregistered
It's actually fairly easy to process 4x5 b/w sheet films yourself, and it's very economical too. I've bought a few rollers and drums from ebay and they are not that expensive.
I'm so happy to find that there are so many 4x5 shooters in Singapore still! I'm hoping to start shooting some trans, and I understand that there's no one in Singapore that processes 4x5 trans anymore. So, two things in mind:
1. Anyone one here interested to share a carton of Velvia with me? If there are sufficient interests, we can indent a carton (I think that's the minimum order).
2. I'm thinking of starting a local 4x5 processing service by bringing in a set of Phototherm. The desktop set is small enough to process in small batches, and doesn't require me to sell my kidney. I don't plan to make a living out of this, but hope to cost recover the investment by doing large format processing (C41 or E6. It can do b/w too, but most b/w shooters really want to process their own film anyway) for the local large format community. Do you guys think that its viable?
And back to the original question - large format isn't that expensive, considering how well they retain their value compared to the digital stuffs. A major consideration is choosing between the monorails or field camera. The latter is more compact but offers less movement. I bought a pristine Toyo 45A from ebay for under a grand, and it comes with a 135mm lens, a Gossen spot meter, Minolta Flashmeter IVf, loupe, backs, and a bag. If you are willing to pick up a monorail, you can find used entry level models are a fraction of the cost. If you don't like what you got, you can sell the whole setup off with a small loss, or even a gain if you are lucky.
I still shoot 4*5 slides (Self process), but I am looking for some Velvia 50. If you are getting, maybe can count me along. I am currently using E100VS and Astia 100F for slides. (Enough for me to use only.)
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