I do not wish to refute what you had said. However, can I put it bluntly to say that Pentax marketing for their lenses naming convention is not very good back then? It could have been naming them in a better way. In a sense that they called the “FA” as lenses of which built for film camera. Unfortunately this has created a backfire that the FA may not be very good for use with digital camera. It then has DFA which said to have built for digital camera. The DA, DAL & DA* also clearly said to have built for digital camera.
Furthermore, the FA lens which made for a full frame camera, when use with an APS-C camera, we are only using the centre of the field. This is where the lens performs best. In future if Pentax does have the full frame camera, can we expect them to release lenses such as DFA of FA HD? What is the HD definition do you think?
To clarify what I posted in my previous thread, I did not mentioned about the FA limited. The reason being I have not used it before, my experience is based on the FA 50mm f1.4. And it is just an opinion given to the person who asked it. I would like to maintain this as a constructive discussion & do not wish it to become a flaming session.
Thank you.
Look at it this way.
Pentax is responsible enough to say that they
feel that their film era lenses are not optimized enough for digital, which needs the light to strike perpendicular to the sensor.
So they designated DFA and DA to represent lenses that are more optimized for digital.
They can't do much about the FA designation since that was before digital.
HD is the coating type, just like SMC and ghostless coating.
FF coverage is difficult to be good all the way through to the edges and corners while keeping a sane size to the lens.
Look at the FF lenses from Canikon.
Many have poor edges/corners and vignette quite a bit.
One way will be to make bigger lenses where the image circle is larger and the 135 format sensor 'crops' that image circle.
Some of the newer lenses with better performance is made this way (Nikon 14-24; Lots of the new Sigmas)
That said, that does not mean that film lenses don't work well on digital.
Thats been proven time and time again with such lenses on Canon FF cameras, be it old M42 mounts, Nikkor pre-AI; Contax CY; OM and of course butchered Pentax K-mount lenses.
In fact, old lenses often lack that clinical 'need to please every lens review lab test' criteria, resulting in their own character.
Very unlike lenses nowadays, which often aim to get good lens reviews by flat field sharpness, very low CA; distortion, abberation control, etc tests, which often boosts user base ego and thus lens sales.
I often find that its exactly those lenses that have poorer CA control that often abberates at the focus transition edges (esp. in high contrast ares), resulting in a very thick 'outline'/drawing of the subject.
Think about it like drawing a cartoon with a HB pencil or a 2B one. (HB being fine edged and capable of sharpness, but not thick enough an outline to 'define' the subject well enough on the paper).
The 2B one (the old lens) does that more often imho. (at least some the better ones; esp. Pentax ones)
Of course this is my own preference.
I use my Takumars on a FF.
They work fine.
In fact they work great.
Add to the fact the unique Pentax small form factor for the lenses, they are something that no other manufacturer has.
And I consider them to be 'tier 2' Pentax lenses (ie. not *, ltd, some are not even SMC)
So Pentax FF, if it ever comes out, will be unique.
Unique because of the camera and the nice performing small lenses.
And I will still use the FA or older lenses on them.