Anyone ditch EF 17-40mm f/4L USM for EF-S 17-55mm f/2.8 IS USM and

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Thanks to all who have responded.

I've bite the bullet and bought the 17-55 last week. Did a quick comparison with 17-40 on 40D.
- Better sharpness in 17-55 as per reviews. In fact at 17mm f/2.8 is even slightly sharper than my 17-40 17mm f/4.
- The 17-55 has vignetting at wide. Level is acceptable to me.
- Don't see obvious difference in terms of colours and contrast against 17-40.

My feeling is that on 4R prints, I won't be able to tell the difference in IQ of both lenses. But now have more versatility with 17-55.
Now need to get cir pl coz the one I'm using with 17-40 is not suitable. To thick for this EF-S lens :)

Happy New Year!
 

Thanks to all who have responded.

I've bite the bullet and bought the 17-55 last week. Did a quick comparison with 17-40 on 40D.
- Better sharpness in 17-55 as per reviews. In fact at 17mm f/2.8 is even slightly sharper than my 17-40 17mm f/4.
- The 17-55 has vignetting at wide. Level is acceptable to me.
- Don't see obvious difference in terms of colours and contrast against 17-40.

My feeling is that on 4R prints, I won't be able to tell the difference in IQ of both lenses. But now have more versatility with 17-55.
Now need to get cir pl coz the one I'm using with 17-40 is not suitable. To thick for this EF-S lens :)

Happy New Year!

How much was it?
That time when i got my 17-40, I think this lens was new in the market and was very expensive... much more expensive than 17-40 so I got 17-40... I do think the extra 15mm would be very very nice... often found the 40mm not long enough... but then I got 50mm 1.8... but there's the trouble to change lens and to bring an extra lens out...
 

How much was it?
That time when i got my 17-40, I think this lens was new in the market and was very expensive... much more expensive than 17-40 so I got 17-40... I do think the extra 15mm would be very very nice... often found the 40mm not long enough... but then I got 50mm 1.8... but there's the trouble to change lens and to bring an extra lens out...

I've paid $1275 for it and had used my 17-40 for abt 3 yrs.
 

should have one more option:
"have 17-40L and never considered 17-55"
contrast and colour is something that is almost impossible to replicate in photoshop. Canon L lenses, along with zeiss and leicas, are fantastic when shot to its full strength.

there are much better examples but this is my humble tourist shot on a 40D


Try using photoshop to replicate, IS and F2.8. I am sure it is possible...

And I am not sure what my contrast and color slider does in photoshop.
 

You could replicate DOF of an F2.8 (it will take some effort though) but how you going to go about replicating IS:dunno:
 

maybe photoshop will include "add IS" in the new version haha.
 

I too switched to 17-55 from my 17-40 after using it for 3 years... besides having the red ring, not really missing the L ever since the change ;p Usually, I would need to pair the 17-40 with my 580ex when shooting indoors, ever since the change, I have been shooting with the 17-55 w/o my flash! :bsmilie:
 

I too switched to 17-55 from my 17-40 after using it for 3 years... besides having the red ring, not really missing the L ever since the change ;p Usually, I would need to pair the 17-40 with my 580ex when shooting indoors, ever since the change, I have been shooting with the 17-55 w/o my flash! :bsmilie:

After using it for 3 wks, I too enjoying the fact that I could shoot without flash when I wanted or needed to which was not possible with 17-40. Once started shooting, the red ring and butter smooth zoom seems to be a thing of a past.

One thing I do need to get use to is that the minimum focusing distance of the 17-55 is further. Caught a few times positioning too near to the subject. Need to "recalibrate" myself :bsmilie:

Anyone knows how much is the hood?

Got mine from Tagotech. Cheaper and it works.
http://store.tagotech.com/product_info.php?cPath=47&products_id=108
 

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Here's an example of the 17-40 on a 1DmkIII

http://www.fredmiranda.com/forum/topic/688320/206

see post #5

I think there were some bad copies. but here is an excellent shot in difficult lighting (whiteout!) with great colours/contrast (no flare).

not saying its the best lens out there, but its a great lens when you have to stretch the limits. also probably will see more when printed A4 and above with respectable printers. Monitors can't provide a wider gamut of colours than print.
 

Hi, anyone have the orginal hood for 17-55mm from canon? Need to know the difference between Tagotech hood that bro Vin intro.
The Tagotech website claim that their hood petals are bigger to suit a 1.6x crop body.

Btw CP selling $49 for the orginal hood but currently out of stock.
 

Here's an example of the 17-40 on a 1DmkIII

http://www.fredmiranda.com/forum/topic/688320/206

see post #5

I think there were some bad copies. but here is an excellent shot in difficult lighting (whiteout!) with great colours/contrast (no flare).

not saying its the best lens out there, but its a great lens when you have to stretch the limits. also probably will see more when printed A4 and above with respectable printers. Monitors can't provide a wider gamut of colours than print.

in fairness, on a 1Dx or 1Dsx or 5Dx there is only 17-40 or 16-35 to choose if you want a canon UWA zoom.

the debate here i think is 17-40 vs 17-55 on a APS-C. both are decent lenses, but my take is that the f2.8, IS and 40-55 range win it for the 17-55.
 

in fairness, on a 1Dx or 1Dsx or 5Dx there is only 17-40 or 16-35 to choose if you want a canon UWA zoom.

the debate here i think is 17-40 vs 17-55 on a APS-C. both are decent lenses, but my take is that the f2.8, IS and 40-55 range win it for the 17-55.

agreed
 

I wonder whats the push for one person to switch from a crop to full frame?

higher ISO needs? Wider angel view?
or crop frame has lower pic quality?
 

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