After seeing Steve Huff's latest pics from the Noktor, this is a lens I am not keen on, maybe for others ...
With regards to dof and bokeh, a 25mm f/2 dof/bokeh quality on m4/3 for example has the same quality as this same 25mm lens on a full frame, shot at the same distance.
Obviously, at the same distance, the m4/3 will show half of the picture area captured on full frame (more or less, as in my tests, my 25mm on m4/3 was still a bit wider than my 50mm on full frame).
A 25mm f/2 will have a focal length of a 50mm on m4/3, but still the dof/bokeh of a 25mm f/2.
If one wants to have the shallower dof/bokeh of a 50mm f/2, then one has to use a 50mm f/2, but similar to the 25mm, it's focal length will double to 100mm.
Some clamor for m4/3 manufacturers to come out with faster lenses. They want to have the dof/bokeh quality of a 100mm lens when using a 50mm lens in m4/3 for example, and not the 50mm lens' inherent dof/bokeh.
Fast lenses are always welcome, but it's not simply automatic that a m4/3 25mm f/1.4 lens will have a similar dof/bokeh quality as a 50mm f/2 lens on full frame, when attempting to capture the same area as captured on full frame.
Rather than gnashing their teeth, these folks should just understand how to make use of this "automatic" cropping feature to one's compositions, be more creative and work with it.
If they can't, just get a full frame dslr ;p, saves all the headaches for those who cannot adapt to m4/3 (or 4/3) in their compositions.
I haven't heard of any medium format user having issues about their 35mm full frame as having inferior dof/bokeh. Maybe they know how to adapt better :angel:
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