Another important factor to consider is your budget. Its all very well discussing the pros and cons of each lens but at the end of the day, are you sure you have the budget to carry it thru? :think:
:bsmilie: :bsmilie: :bsmilie:Luv4nature said:Tricked by the topic, thought it would be a technical discussion about the 2 lenses.
IMO, the original set of questions will lead to more confusions, as the poster sets himself up to lead to no conclusion even if all the best answers were provided to his questions.
So I think the web & forum "search" function has become obseleted already, what we need next are "decision making" functions.
Or may be in absence of such function, the poster should have started a "Poll" and we can all vote and help him to decide which lens to buy, save him from reading through so many replies...
cyberkid said:Talking about 18-70mm(kit lens) and 18-200mm VR:
1. Which 1 is bigger and heavier? (any size comparison pic?)
2. Which 1 takes a better pic at Wide Angle?
3. Which 1 is faster at focusing and zooming?
4. Which 1 has better resell value (2nd hand value)?
5. Which 1 is a better choice for amateur who own D70s? Is it wise to let go 17-70mm and take 18-200mm to start photography life?
6. Which 1 is more valuable for money?
7. Which 1 provides more versatility for lens upgrade in future?
8. And lastly, which 1 is more professional?
Advice pls sifus, thanks!
DeusExMachina said:Theres no such thing as a professional camera, there are only professional people. A camera is just plastic, metal and glass, be more concerned with your skill at using the equipment, than with the impression people will get of you with that equipment.
:dunno: Young Padawans, always concerned with what others think of them. :dunno:
nightwolf75 said:obviously, u have not done any homework on these 2 lenses... come to think of it, u dun have any nikon DSLR yet, rite?
wat is better? in wat sense? since u want to measure 'better' as price/performace ratio, the 18-70 beats 18-200 hands down. why? $300 (2nd-hand) vs $1200 (new and not readily available) is a very good reason. u want to talk abt sharpness? IMO, 18-70 will beat 18-200 in terms of sharpness. why? ultra-zooms, by and large, generally produce softer images at the extreme end.
AF-S 18-70mm/f3.5-4.5G DX vs AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED? same class? hardly... again, wat do u mean by quality? sharpness? colour reproduction? contrast? etc.. etc..
the 18-70, generally by most people, is considered to be the best value for money kit lens ard. the quality of this lens is no slouch (of course, pls dun compare with the pro-grade, thousands of dollars, the famed Trinity lenses). if u think the lens is crap, i suggest u go to www.photoi.com.sg and have a look at last year's Photo of the Year winners. 2 of them were shot using the 18-70.
its also 1-stop faster than the 18-200 on the tele end. ie - u can shoot in slightly lower light condition with the 18-70 at a reasonably higher shutter speed (with the same ISO) with minimal or no hand-shakes, compared to the 18-200. if i sound like i'm talking in greek here to u... then, pls do urself a favour and go pick up a simple photography guidebook. might i suggest "Understanding Exposure" by Bryan Peterson.
ok... i can see some people raising their hands in the background - but, 18-200 got VRII mah! it means one can shoot at 2-3 stops lower then f5.6. ie. suppose if at ISO 200, with VRII u might be able to shoot at 1/30 or lower at f5.6 in low light conditions without hand-shakes blurring ur pics. rite?
yeah... true. while VR lessens the likelihood of blur pics due to handshakes, it doesn't freeze action. suppose u want to freeze action at nite. by rite, one way to do it is to use a high-ISO, high shutter speed. BUT, becos of the f5.6, there's a limit to how high a shutter speed can go b4 under-expose kicks in. again, if i sound like i'm talking greek to u, go see above.
u obviously din read espn's post carefully abt buying the "1 lens rules them all'...
u want to shoot all the above ALL THE TIME, MOST OF THE TIME, or SOME OF THE TIME? u just listed 4 distinct activities which might be able to cover by either the 18-70 or 18-200. however, since 2 of the activities require dim/low-light condition, are u going to get a flash? if not, u will soon come complaining abt 'how come my pics are so dark?', or 'how come my subjects all blur?' questions. these 4 activities, IMO, requires/recommends different types of lenses. again, wat to buy depends on whether are u going to use it for wat events MOST OF THE TIME.
so, pls. go and read up more from books and from online reviews abt the lenses. heck... methinks u need to read up abt photography first (if u are starting from scratch). if u haven't buy ur d70s yet, why not just buy the kit set and start shooting with the 18-70 b4 deciding to plunge serious moolah for the 18-200?
postscript - in case anyone thinks i'm dissing the 18-200 as a piece of crap lens... far from it. as a general purpose/travel 1-lens-rules-them-all kind of lens, this is good value for money. by the fact that it has VR, IF and ED means dat it beats all competition from 3rd-party (eg sigma/tamron's 18-200mm). however, it also means one has to pay top-dollar for these features ($1200 vs $400+-500+ for 3rd party). the extra 130mm reach of the long end makes this more attractive as a travel lens compared to the 18-70. again, depends on wat one wants to use it for most of the time.
markccm said:i do agree that it is the person behind the viewfinder, however there are cameras that have exceptional specs that constitutes to a professional camera.
my 2cents.
TMC said:he would get neither. 17-35, 28-70 and 70-200 only for him.
DeusExMachina said:ALL Cameras are professional, which makes the term "professional camera" a misnomer. The "PROFESSION" or job, of a camera is to take photos, show me a camera on the market which does not take photos and I'll show you an UNPROFESSIONAL camera. The term professional camera was coined by marketing teams as a simple way to denote better engineering, better quality components, to claim that it was "MADE WITH PROFESSIONAL PHOTOGRAPHERS IN MIND".
As such, only people can be professional, cameras and lenses are only better or worse off. Silly generalizations like this cause people like Cyberkid to link "Professional Lenses" to his aspirations to be a better photographer, when he should be really be thinking about shooting more, reading about the works of masters, having more ideas.
I rather he get the 18-70 and learn how to use the camera first before plunging money into a 18-200. Later he end up complaining about how come cannot get good shots then sell everything aways for a PnS.coolegg said:Agree. The Holy Trinity!
However, if this kid wants to have ONLY 1 lens for easy travelling and portability is his top priority. I would suggest just go for 18-200VR.
The best is, get the Holy Trinity AND get the 18-200VR AND a 12-24 for wide.
cyberkid said:FINALLY I HV DECIDED TO BUY 18-70MM ! STOP COMMENTING ME
coolegg said:Agree. The Holy Trinity!
However, if this kid wants to have ONLY 1 lens for easy travelling and portability is his top priority. I would suggest just go for 18-200VR.
The best is, get the Holy Trinity AND get the 18-200VR AND a 12-24 for wide.
Bingo, somebody finally understand what I'm driving at!coolegg said:However, if this kid wants to have ONLY 1 lens for easy travelling and portability is his top priority. I would suggest just go for 18-200VR.