My recent works


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benedium said:
pbs, as always your pictures are truly inspiring. but as I look at the earlier picture of the nun for the bottled water ad, can't help but think casting a model with less chubby face would be better.

I'll agree with you if fashion, rather face is the main theme. In it, it's clearly an ad standing louder, let alone a nun. Didn't wanna cast somebody fantastic looking so that it doesn't take away the ad...
 

fruitree said:
For this first pic, wow I really love it. Sorta brought out the theme where a female is drunk because of some love affiar etc. Nice!!

For the second one, I was wondering, are there any editing done for this pic? Or it is just as it was taken? Newbie here, trying to learn. ;p

Kinda set up the scene really, post production is an option, but never was it meant to replaced photography. The skull was placed in car, puffed up the black suit and voila! Not too difficult ain't it? Just efforts....
 

wow.. stunning work..

loved..most.. not all..
but haha.. lost track of the picture no.s so i won't go into specifics..

above all.. your attitude strikes a chord..
:thumbsup:

keep them coming!!
 

pointblankshots said:
Kinda set up the scene really, post production is an option, but never was it meant to replaced photography. The skull was placed in car, puffed up the black suit and voila! Not too difficult ain't it? Just efforts....


hmm, i see. thanks a lot.

Look forward to see more works from you. Cheers!
 

brother, so long never update your pics. when can we see more! :)
 

fruitree said:
I really like these two shots. Like reading from a fashion magazine like that. :thumbsup:
Hi PBS. May I know how do you make the subject's skin tone so glossy? Thanks.
 

yeocolin said:
Hi PBS. May I know how do you make the subject's skin tone so glossy? Thanks.


Airbrush hair/make up artist I guess, and a wee bit of feathering and blurring in post production.
 

Hi pointblankshots.

Just 2 cts from a portraiture/studio newbie here. Like your work, and style, very different from the normal kind of shoots you see here. Refreshing and more toward the artistic side, and as someone else had said, the attitude of the pics strikes a chord. :thumbsup:

Thanks for sharing and look forward to seeing more of your works. :)
 

(sung to the tune of "this is the song that doesnt ends") :bsmilie:

this is the thread that doesnt end, people just post and post again.
some people started posting cuz the pics were very nice.
the keep on posting and commenting
until it is quite annoying.
this is the thread that doesnt end..........

hahaha
ps actually im not annoyed just need some word to rhyme....
 

patiently awaits to more :thumbsup: photos. ;)
 

hi... would like to know how to get that brownish skin tone... is it the lighting?? makeup on the spot... (as in there and then) or post production... i notice that most (if not, all) U2's advertisements have this effect... and its not a sepia effect.... really love this man.. and would like to know how its created... thanks.. btw bought the grain mag.. great writeup... but its what's posted here yah.. hee... love it in hard copy...
 

love your photography style, the control of lightings and the colors you applied. :)
 

PBS - great work, and after reading so many people's posts, have you thought of running a workshop or something on commercial photography? I am sure many would sign up, me included.
 

Grub said:
PBS - great work, and after reading so many people's posts, have you thought of running a workshop or something on commercial photography? I am sure many would sign up, me included.

I'm sure that's a matter of time. It's great to see so many people appreciating my thread. I've done this session somewhat earlier last year and I thought many has benefited from it.

Anyway, keep following the thread. Will invite you guys to studio soon.

PBS
 

Thanks for the last post and bumped this up again or elase I would have missed these. I enjoyed this whole series and the familiar photos from Magazine. But very surprised about your attitude which is really nice and inspiring. My fave is also portraiture that generate feelings, whether it nice or not. Right now I'm still in snapshot mode but joining some shoots with the rest soon. =)
 

Hi,

After a while, here's some images again. Enjoy...

5382.jpg

4354.jpg

5220.jpg


3567.jpg
 

Some already ran commercials. Pretty much still enjoy the hecticc schedule of rushing out commercials. Well, it's a lil off key to what you guys put up, nevertheless, I hope we all see something to learn.

I put up the ads because I know it's mine, to those who may wanna use it for other motives, think again, you can get sued by it. Just friendly advice, otherwise pls continue to view.

e2.jpg


3r4.jpg


6ty.jpg


t5.jpg
 

44r.jpg


It's a saddening thing when the basics of portraits is basically gone. When in studio, what we would have thought of it high f- stops so that we acheive sharpness. The image I've put up is simple lighting, thus achieving a very shallow depth of field between the face and the ear. The image is so simple that it made me reflect on my earlier days of photography where I was 'capable' of spending the time to calculate the exact depth I needed, the time spent on producing one good image. This lady in the pic is a paramedic and I guess I've done my part on portraying grace within an empty body.

Nothing to dramatic or fanciful lighting, even nothing much to explain the motor of it, but have spent enough time on getting the grace out of her. If you think smile is all I need, well, think again on how to make her click and feel how the image would be the same way I do. I wanted her to remeber the times people were thankful and so grateful to her when she rescued a tragedy. I told her to focus on the smile when the relatives of that rescued person said 'Thank you', and how she played it down with a simple 'It's my job' and walked off with a gracious, yet benevolent smile. That smile, together with a strong copy makes the ad strong.

I thought of it as basics, but important, after all. It is the mood of the image that is important. As photographer, we're deprived of moving motions to relay a story. No 24 frames a sec to do with. To make it even more excruciating, we have only one frame. To those who have gone shooting, went home trying to find a nice pic, but then having to put up with something that's like 'can do'. I think we just have not gone close enough to feel what pictures have convey. Simply did not bother about having pictures that would touch the heart of others.

Going into the digital era has not change one single bit about shooting this form of portraiture. If we can't even relay extensive communications, let's not talk about posing people because that's gonna be irrelevant. Let's not even say 'I do people photography' for crying out loud.

For much about it, it's a shame having our technical aspect so soundly armed when we can't deal with communications, and worst off is to be shooting people so unknowingly.
 

pointblankshots said:
44r.jpg


It's a saddening thing when the basics of portraits is basically gone. When in studio, what we would have thought of it high f- stops so that we acheive sharpness. The image I've put up is simple lighting, thus achieving a very shallow depth of field between the face and the ear. The image is so simple that it made me reflect on my earlier days of photography where I was 'capable' of spending the time to calculate the exact depth I needed, the time spent on producing one good image. This lady in the pic is a paramedic and I guess I've done my part on portraying grace within an empty body.

Nothing to dramatic or fanciful lighting, even nothing much to explain the motor of it, but have spent enough time on getting the grace out of her. If you think smile is all I need, well, think again on how to make her click and feel how the image would be the same way I do. I wanted her to remeber the times people were thankful and so grateful to her when she rescued a tragedy. I told her to focus on the smile when the relatives of that rescued person said 'Thank you', and how she played it down with a simple 'It's my job' and walked off with a gracious, yet benevolent smile. That smile, together with a strong copy makes the ad strong.

I thought of it as basics, but important, after all. It is the mood of the image that is important. As photographer, we're deprived of moving motions to relay a story. No 24 frames a sec to do with. To make it even more excruciating, we have only one frame. To those who have gone shooting, went home trying to find a nice pic, but then having to put up with something that's like 'can do'. I think we just have not gone close enough to feel what pictures have convey. Simply did not bother about having pictures that would touch the heart of others.

Going into the digital era has not change one single bit about shooting this form of portraiture. If we can't even relay extensive communications, let's not talk about posing people because that's gonna be irrelevant. Let's not even say 'I do people photography' for crying out loud.

For much about it, it's a shame having our technical aspect so soundly armed when we can't deal with communications, and worst off is to be shooting people so unknowingly.

Amen!
 

student said:


A lil long winded, but seen too much pictures without a reason, guess I'll get it off my chest... Won't do this again :)
 

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