tariesy said:
There are lots of clubs & societies teaching photography here. Any feedbacks or comments about the quality of the instructors and the clubs/societies?
No personal attacks, just some coffe shop talk.
Here's my pesonal experience:
Everyone sld know of the friday photo clinic by PSS. There was once when i am suppose to hand in 6 pictures for the assigmnent and i brought all my collections of photos for some comments.
And there was this insturctor, Mr E****** C***** who was sitting there so i thought i just show him my photos for comments.
My heart really:bheart: when i heard what he said. He was just flipping thru my albums and all he said was is that all u have? He then arrogantly showed me what he have thru his laptop and was happily boasting abt where he went and all these are his pictures.
I was really sad and angry that as an instructor, he was more eager to show off what he has rather than to comment and help correct new learner abt photography. Nothing on composition, framing, subject interest, handling techniques were commented. My enthusiam abt photography was killed on the spot.
By coming to this forum and reading all fellow Csers comments abt pictures and photography, i learn more than what i learn from PSS.
Well, that was just my experience, hope no one is offended. Hope that thru this thread, u all can share wif all abt gd and bad clubs/societies or instructors.
In all honesty, your experience (that led to this feeling/judgement) doesn't surprise me.
Several years ago when I was still in S'pore, I was a member of a fairly prestigious photography club, and another lesser known smaller club. It's quite expected that senior members tend to be older persons (no disagreements with their age and rank) and it's also quite expected that senior members tend to be owners/users of excellent gear (again no disagreements with their choice of hardware).
What I dislike is the blatant use of hardware, and sometimes age between ordinary members, to suggest skill and seniority. It's like pulling rank on others, according little mutual respect or fair-go, especially if you are younger or using cheapo gear. When I was very fresh into the club, I thought nothing of it and accepted it as the way it was.
Most senior members had larger spending power (either high salaries or fat pensions) to buy and use (flash) top-end gear. Expectedly, they also have the means to travel around and shoot uncommon and possibly stunning images (or create/hire/buy opportunities for other photography). Once every now and then, there would be talks conducted to show member's travel scenery images but in most of them, it's all talk about how they got there and what they did. It's like a traveller's tale, mostly superficial.
I see these instances of hardware flashing and traveller's tales as nothing more than men showing-off (mine's bigger and better than yours) and try to rank themselves better (I have done this and that, have you?). Little, or not enough is asked or discussed about techniques and intentions, even in critique sessions with a supposedly qualified instructor. It was mostly putting down student after student. I heard enough of the brutal bashing.
If anything, I would agree with some other ClubSnap members that this forum provides better discussion and critique on techniques and methods.
As I gradually became not-so-fresh in these clubs, my perception of some (maybe many) senior members changed. For the kind of images that they were producing, I didn't see them worthy of their respect and rank. I started questioning myself why they were even there at the club. I also started to wonder about the portrait shoots the club was organising. So I stopped paying and stopped going. I grew my own wings and flew in my own direction to shoot in my own styles and preferences.
In a club where you have surely have a hierachy and ranks, you will surely have people (usually men) trying to position themselves. It's an ego-problem men have, and it's inevitable.
From what you have written about this instructor, it sounds clear (to me, maybe not to others) that you weren't given the assessment and critique you wanted. Since photography isn't a science but an art, and it is surely subjective (like one man's meat is another man's poison), the assessment and critique has to be done fairly and tactfully.
The student should be asked why and how the image was created before assessing or criticising the work. It should
not be a straight-out "this is bad", "this is lousy", and surely
not "is this all you have?" or "is this all you can do?". These are all remarks to put down someone.