Cambridge


very good series! Love the way you shot and pp. ;)
 

106. Autumn leaves and bench at Trinity College (also trying out my new 35 1.8)
8115785308_d33de30c8c_o.jpg
 

Very nice series you have here. Keep it coming :)
 

107. View of King's College Chapel from Great St. Mary's
8127534221_e6698be0e0_o.jpg
 

108. Last of the autumn leaves at St. John's College
8127534315_de3759e644_o.jpg
 

Nice..

can I know how you get your sunburst effect ? Been trying quite hard, but I either over or under expose them.

Do I need to use a filter ?
 

Yes! Thanks for asking! I'm curious on the starburst effect too! I've tried with small aperture, still it does not create the starburst effect. Curious too.

crysmeth said:
Nice..

can I know how you get your sunburst effect ? Been trying quite hard, but I either over or under expose them.

Do I need to use a filter ?
 

Yes! Thanks for asking! I'm curious on the starburst effect too! I've tried with small aperture, still it does not create the starburst effect. Curious too.

Hi crysmeth and Bsim888,

Ok I'll try to explain.

I personally differentiate between two types of "flare" (I guess it can be called flare/starburst/sunstar... etc.)

1. Flare with lines
Examples:
6218987718_ee92d02bc7.jpg
7275458692_cd946a624c.jpg


As far as I know, this type of flare only exists on one lens, the Sigma 10-20 f/4-5.6, and only at the max aperture (f/4-5.6).

2. Sunstars/starbursts
Examples:
2457369964_d50daebabe.jpg

7751433320_5f233502a6.jpg

6918711256_38198f498b.jpg


This is much more achievable with different lenses... and even with a compact camera. The first example of this type of flare was shot with a Tamron 17-50 2.8, the second with the Sigma 10-20, and the third with a Canon S95. I usually get this by dropping the aperture (to f/22 or f/32 if possible), while aiming at the sun in an almost-clear sky. The other method I use is to filter sunlight through tree branches or leaves or the tops of buildings, as seen in the second example. f/8 can sometimes achieve this effect too, but the smaller the aperture, the more defined the star.

So that is how I do it... I don't use any filters other than UV filters and very occasionally, a ND110.

Hope that helped!
 

Thanks for sharing! Yes it certainly helps. :)
 

rh89 said:
Hi crysmeth and Bsim888,

Ok I'll try to explain.

I personally differentiate between two types of "flare" (I guess it can be called flare/starburst/sunstar... etc.)

1. Flare with lines
Examples:

As far as I know, this type of flare only exists on one lens, the Sigma 10-20 f/4-5.6, and only at the max aperture (f/4-5.6).

2. Sunstars/starbursts
Examples:

This is much more achievable with different lenses... and even with a compact camera. The first example of this type of flare was shot with a Tamron 17-50 2.8, the second with the Sigma 10-20, and the third with a Canon S95. I usually get this by dropping the aperture (to f/22 or f/32 if possible), while aiming at the sun in an almost-clear sky. The other method I use is to filter sunlight through tree branches or leaves or the tops of buildings, as seen in the second example. f/8 can sometimes achieve this effect too, but the smaller the aperture, the more defined the star.

So that is how I do it... I don't use any filters other than UV filters and very occasionally, a ND110.

Hope that helped!

Thanks. Will try. Great stuff u got there. Keep it going.
 

107. View of King's College Chapel from Great St. Mary's
8127534221_e6698be0e0_o.jpg


wah camping at the same spot as #93? :)
For a moment I thought it was the same image reprocessed... haha.
Interesting to see the huge tree in front of the chapel turn into autumn shade. Personally prefer the earlier shot somehow. Seems 'fresher'.
 

wah camping at the same spot as #93? :)
For a moment I thought it was the same image reprocessed... haha.
Interesting to see the huge tree in front of the chapel turn into autumn shade. Personally prefer the earlier shot somehow. Seems 'fresher'.

Yes... you have to pay to go up though, so I'll be waiting until the tree is bare before I climb up again. I think I get what you mean... but autumn colours are so fleeting!
 

109. Clare College Bridge
8138043018_b5838863e2_o.jpg
 

110. Bicycle at Clare College
8116214437_d27a8265cf_o.jpg
 

Hi, care to share how you managed to get the colour tones on #110? Really like the slight vintage feel.
 

Hi, care to share how you managed to get the colour tones on #110? Really like the slight vintage feel.

Hi Clanegie,

I desaturated it slightly, but that's about it. It was an extremely foggy day, that's why the light is so diffused and there is detail in the arch.
 

Hi crysmeth and Bsim888,

Ok I'll try to explain.

I personally differentiate between two types of "flare" (I guess it can be called flare/starburst/sunstar... etc.)

1. Flare with lines
Examples:
6218987718_ee92d02bc7.jpg
7275458692_cd946a624c.jpg


As far as I know, this type of flare only exists on one lens, the Sigma 10-20 f/4-5.6, and only at the max aperture (f/4-5.6).

2. Sunstars/starbursts
Examples:
2457369964_d50daebabe.jpg

7751433320_5f233502a6.jpg

6918711256_38198f498b.jpg


This is much more achievable with different lenses... and even with a compact camera. The first example of this type of flare was shot with a Tamron 17-50 2.8, the second with the Sigma 10-20, and the third with a Canon S95. I usually get this by dropping the aperture (to f/22 or f/32 if possible), while aiming at the sun in an almost-clear sky. The other method I use is to filter sunlight through tree branches or leaves or the tops of buildings, as seen in the second example. f/8 can sometimes achieve this effect too, but the smaller the aperture, the more defined the star.

So that is how I do it... I don't use any filters other than UV filters and very occasionally, a ND110.

Hope that helped!

Another factor is the position of the sun in the sky. When it is closer to the horizon (and at higher latitudes), it is easier to obtain the effect.
Very nice additions to the series.
 

Another factor is the position of the sun in the sky. When it is closer to the horizon (and at higher latitudes), it is easier to obtain the effect.
Very nice additions to the series.

Actually, I haven't found that to be the case... I think it's just a matter of positioning it right.

Examples from Singapore:
2457369964_d50daebabe.jpg

4885638510_a70ef221fa.jpg

4945066449_fac7083878.jpg
 

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