All About The Olympus E-510 Thread


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ah i see. thanks for the explanation. :)

Don't listen to wind30 or anyone. As I've said clearly in my previous post, most websites prefer to state the guideline using the equivalent focal length but at the end of the day, it's what you experience practically for your own handhold shooting that matters.

Try it yourself and see what kind of shutter speed you're able to handhold for the vavious focal lengths.

Sharing my personal view and observation :
Through observation and my own practical experience, if the equivalent focal length is used as guide, it can't explain many of the shutter speeds many people are capable of shooting at handheld at various focal lengths, especially for those cameras with huge crop factors (e.g. prosumers cameras typical crop factor is 4-6 times and compact digicams are mostly 6 times) during those days where there was no image stabiliser (e.g. 1/8 or 1/15 easily handheld on compact digicams without IS at 35mm equivalent). In addition, if equivalent focal length is used as guideline, then it tends to imply that most image stabilisers work for 3 to much as nearly 5 [e.g. Olympus SP550UZ 1/10-1/20 at 507mm equivalent and image stabilised compact digicams at < 1/10 shutter speeds at 105mm equivalent (4 stops stabilisation? Check out the websites such as DPreview for reviews for compact digicams and you will find lots of image stabilser tests at 1/10 or slower for 105mm equivalent (actual focal length = 15-20mm)] and oddly, the smaller the sensor, the more stops the image stabiliser appears to work. However, if you use actual focal length to explain them, then everything seems to fall nicely into place for what is happening practically and the consistent conclusion is that most stabilisers work for 2-3 stops. (To test effectiveness of image stabiliser, find out threshold shutter speed by shooting with image stabiliser OFF at decreasing shutter speeds until handshake blur is recorded and then turn the image stabiliser ON to shoot and see how much improvement there is.)

Here's a picture which I took handheld without any image stabiliser a few months ago (had to follow the models and also no space for support of any kind in those crowd):
Actual Focal length : 71.2mm
35mm format equivalent focal length : 280mm
Shutter speed : 1/60
Flash : not fired.
ISO : 400
(EXIF info are intact in the picture)

dscn0141copyiz9.jpg


I shoot in many occassions at the above settings for indoor events because that's about the limit I can accept for low light condition. At 1/60, I do sometimes experience handshake blur because it's a tad slower than 1/71.2 guideline based on actual focal length and in this picture, there is slight motion blur at the model's hands due to the model's movement as the shutter speed is too slow to freeze all movement. When I used 1/125, I almost never get any handshake blur at 71.2mm actual focal length (280mm equivalent on 35mm format).

My explanation for the above is : For different sensor sizes, the focal length and the image (except the "crop") are the same except the sensor size and so, the only difference is the magnification to the same viewing size. How much the physical image projection shift on the sensor is not affected by your shooting distance (which is why there is no shooting distance variable in the guideline) and the sensor sizes (which are just backwall sizes for the image to fall on).

If the shutter speed is fast enough then the physical image will not shift too much on the sensor to be recorded. If there is handshake blur recorded, then it will of course be more visible with higher magnification factor. However, it there is no handshake blur recorded, then there is no blur to be magnified even if it's 2x or even 4x or 6x magnification.

In my case, the magnification factor is 4x. If I have to follow the equivalent focal length guideline, I would have to shoot at 1/280 (more than 2 stops faster than 1/60) or faster at 71.2mm (280mm equivalent).

Don't just blindly accept what others or websites say. So try it out and observe yourself and use your own guide.

Something for you to think about :
1 photographer using Canon 5D (full frame) and his friend using Olympus E-510 (1/2 frame) shooting at a fashion show from about the same spot (e.g same 10m distance away from the model because there isn't space elsewhere due to the huge crowd) using the same fixed focal length 100mm (prime lens which is 200mm equivalent for the E-510) at the same 1/100 shutter speed at same aperture (F/4) with the same amount of physical handshake and the E-510 has image stabilisation turned OFF.

So the physical image on the sensor will shift the same amount for the same amount of handshake because a difference in sensor size (being just the screen size) does not affect the shake in the physical image and the 5D has a larger field of view than the smaller sensor E-510. The recorded image will be exactly the same except for the composition where the 5D has recorded additional areas outside the perimeters of the E-510 sensor. After shooting, the 5D photographer goes back home, loads his picture onto the photo-editing software on his PC and crops his picture to be exactly the same composition as the E-510. His cropped picture would be exactly the same one shot using E-510 at the same 10m away using 100mm at 1/100 shutter speed @F/4.

So the question is : If there is no handshake blur for the original 5D picture taken 10m away with 100mm @1/100, do you expect to see handshake blur in the cropped picture for the 5D? Logically, your answer should be the same as for the one taken with the E-510 same distance 10m away with 100mm at 1/100 with image stabiliser turned OFF. The cropped 5D picture and the E-510 picture are taken technically the same (focal length 100mm, aperture F/4, distance 10m with the same amount of physical handshake), have the same composition and will have the same magnification factor for any viewing size now. Think about it.

Last but not least, think about the slow shutter speeds (below 1/15) handphone cameras are capable of taking handheld without handshake blur even though there is no image stabiliser on them, equivalent is 35mm and above and it's easy to have hand shakes with such a small device.

Again, in the real world, don't just blindly quote websites and accept what is stated in the websites as gospel truth. Go out and try to discover what is real in practice to you. If I had blindly taken what websites and other people tell me, I would have tried to keep my shutter speed faster than 1/280 at 71.2mm (280mm equivalent) and this means pumping up my ISO by 2 stops (since max. aperture already and anyway, unable to, because max. is ISO 800) and introduce much more noise into my pictures unnecessarily.

I say it again : If you have average steady hands like mine, use 1/actual focal length. If you have shaky hands, use 1/equivalent focal length. If you have very shaky hands, then use 1/equivalent focal length + 1 stop faster shutter speed.

More examples of my handheld shots (most of them handheld by ensuring shutter speed was faster than 1/actual focal length but happen to be much slower than 1/equivalent focal length. Some shots were made with camera held overhead using the LCD screen as viewfinder. I only used tripod if the shutter speed is clearly slower than 1/actual focal length because my numerous past experiences taught me that there would be handshake blur if handheld in those cases. EXIF are all intact in the pictures):
http://forums.clubsnap.org/showthread.php?t=259853
http://forums.clubsnap.org/showthread.php?t=247984
 

Is it worth while to pay $200 for the dry box, bag and filter? :think:

I guess not too bad bah, dry box think buy on it's own about 100 or so? plus buy the package can use interest free installments with credit card, haha... :bsmilie:
 

Confirmed that this price came from a staff at Harvey Norman. I sent him a PM. He works at Funan Centre branch. Just call them to check if they have stock. I suspect that HN made a deal with Olympus to stock a large number of E-510s during the launch and that is why the other dealers are not holding on to a lot of stock. Interesting how HN is paying so much attention to the E-510. But clever for them nevertheless.

Yes - I Was surprised :o myself too. I bought my E 410 last week at HN Funan and you can only get the "freebie-less" price when you ask at the shop as they cannot advertise the lower than RSP (probably that's why they can hold more stock as well). Similar with the earlier post-er - I also opt for the full package with the dry box (which I Was already going need anyway). So not too bad lah. ;)

Can check them out as one place to source for low quote as well! In fact I was just browsing coz of their dry box package and the fact that many popular places like CP and AL were sold out...

Haven't had the chance to play too much with my new baby, but so far i like to controls and the dials and it fits my hands quite nicely (coz i dun have large man-hands ;p )
 

congratssss.. i sold off my v-lux 1 for the E510.. for abt the same size (perhaps not weight, depending on the lens!), i get better shots when travelling...
 

Zoom in = longer focal length means that, given the same amount of handshake, the light ray will shake more as it has to travel a longer distance from optical centre to the sensor/image plane. So a faster shutter speed is required to prevent the light signals from spreading across too many pixel pitches to create a blur picture.

wow!! this is something new. :bigeyes: i thot light is a constant in itself, well in mathematics at least. how to shake light rays?

my understanding of it is becos when u do a zoom in, the shake is magnified, therefore shake is more apparent. not an issue with wide angle, say 24mm in 135 terms.

whether 1/focal or 1/FOV, its merely a guideline. doesn't matter, as long as u have techniques to hold the cam steady, the 1/xx is not a concern at all.

take a look at the pic below:

Zoo-7.jpg


the pic was taken with E1, Leica 90mm F2.8 (180mm FOV in E sys), ISO 400 at 1/13s. what do u make of it? 1/focal or 1/FOV? doesn't matter right?

sorry for the OT. :p
 

wow!! this is something new. :bigeyes: i thot light is a constant in itself, well in mathematics at least. how to shake light rays?

my understanding of it is becos when u do a zoom in, the shake is magnified, therefore shake is more apparent. not an issue with wide angle, say 24mm in 135 terms.

whether 1/focal or 1/FOV, its merely a guideline. doesn't matter, as long as u have techniques to hold the cam steady, the 1/xx is not a concern at all.

take a look at the pic below:

the pic was taken with E1, Leica 90mm F2.8 (180mm FOV in E sys), ISO 400 at 1/13s. what do u make of it? 1/focal or 1/FOV? doesn't matter right?

sorry for the OT. :p


Yes, technically, speaking, light ray is constant.

When I said that the shaking of the light ray, I'm speaking on the relative terms whereby the camera sensor is seen as a constant on which the light ray falls on. When the camera shakes, the position on which the light rays falls on the sensor will change.

The shake is said to be "magnified" not because of the "magnification" factor of a longer focal length per se but because of the longer (physical or otherwise) distance between the optical centre of the lens and the image sensor (i.e. focal length). Don't forget that magnification factor not only depends on focal length but also shooting distance.

An example would explain this :

You use a 90mm lens and you shoot from 1.8m away from the subject, your magnification factor is therefore 1/19 and a 684mm (19x36mm) subject would fall on the full width of a full frame (36mm width).

Now if you use a 180mm lens and you shoot from 3.6m away, your magnification factor will also be 1/19 and the 684mm (19x36mm) subject will also occupy the full width of the full frame.

Magnification factors are the same for both cases but the shutter speeds to avoid hand shake are different because of a difference in focal length (90mm vs 180mm in this case).

Related to the above, it is a common misconception that handshake is magnified because of the higher magnification factor of a longer focal length. Another example will explain : If you now shoot the 684mm subject from 7.2m away (instead of 3.6m away) with your 180mm lens, you magnification factor will become 1/39 and your 684mm subject will be only 17.54mm (instead of 36mm) on your image sensor. Now, your magnification factor is different (1/39 now vs 1/19 earlier) and your subject is now much smaller in the frame than previously. Do you now change your handheld shutter speed? Clearly, even the magnification is clearly smaller at 1/39 now, the guideline remains at 1/focal length = 1/180 regardless of whether you're shooting from 3.6m or 7.2m away (i.e. whether magnification is 1/39 or 1/19).

Those who are familiar with Tennis knows how a ball deviates from an intended spot on the court depends on 2 main factors : 1) the angle of deviation from the intended direction, 2) the distance the ball travels (which is a result of a few factors).

In photographic terms, the 2 factors correspond to (1) hand/camera shake, (2) focal length.

Given the same angle of deviation in direction, the deviation from the intended spot on the court depends on the distance it travels.

Draw a diagram yourself and you can easily see why. Draw a horizontal straight line and then draw another straight line which is 1 degree angle deviation above or below of it at the starting point. We can easily see that the further away it is from the starting point, the greater the distance between the 2 lines.

The starting point is the optical centre of the lens while the distance from the starting point to the ending point is the focal length.

For the same amount of camera shake, the greater the focal length means the greater the light ray will change from its original spot on the sensor.

It's less of an issue with short focal lengths simply because shorter focal length means shorter distance (physical or virtual as in mirror lenses) between optical centre and the image sensor.... which means the spot on which light ray falls on the sensor will change little when an extremely short focal length is used.

At the end of the day, it is the focal length (i.e. distance between the optical centre of the lens and the image sensor) that ultimately determines how any handshake will be translated to a shift of the physical image on the sensor.

If the shutter closes fast enough, then any shift of the physical image on the sensor will be very limited and no image blur is apparently recorded.

FOV due to different sensor size is irrelevant because it does not affect how much the physical image shift on the sensor due to shake.

Hopes the above clarify some misunderstanding and hopefully don't mislead. At the end of the day, what matters is what you are able to handhold at and not what websites say.

Just like previously, I will refrain from arguing further about the handheld guideline and will let people believe in what they want to believe in. Otherwise, there will be too many things to explain (now some may wonder how to get the magnification factors calculated above. And no, I didn't get the numbers from websites but calculated them myself using a simple logic/formula. The numbers can easily be verified. Slight differences in the numbers can be attributed to the different definitions of shooting distance and have no impact on the validity of the above arguments.).

As said before, to test the effectiveness of the IS, a person needs to compare a picture taken with IS with the same picture taken without IS, and not against a shutter speed based on a guideline for a normal pair of steady hands.

Here's another handheld shot without any image stabiliser :
Actual focal length : 8.9mm
35mm format equivalent : 35mm
Shutter speed : 1/8 (motion blur clearly seen)

dscn0025copyfl3.jpg
 

thanks clockunder and wind30 for providing an enlightening insight into this issue.

well I have two ears, one of each argument I guess. :)

clockunder - thanks for the detailed explanation you've put up. it certainly has got me thinking a little bit more.
 

Do note that IS subscribes to the Law of Diminishing Returns; the steadier you are, the lesser the benefits you derive from IS.

What I DO want to do to test the IS is to take the 50-200mm, slap on the EX-25, zoom it out to 200mm, and take a macro shot with the subject overhead with a shutter speed of 1/20...

:p
 

Haven't had the chance to play too much with my new baby, but so far i like to controls and the dials and it fits my hands quite nicely (coz i dun have large man-hands ;p )

The 410 fits large man-hands nicely as well... :lovegrin:
 

Do note that IS subscribes to the Law of Diminishing Returns; the steadier you are, the lesser the benefits you derive from IS.

:p

You might be right.

Was trying out my new E-510 today and I seem to hit a constant maximum steady shutter speed that IS will work: that's about 1/8 of a second within the zoom range of the 14-54mm lens. At that shutter speed or slower, IS will not help. But then again, the best I can do handheld with the same lens and E-330 body is just 1/20 sec (my hands can't go any steadier than that -worse after having coffee). A one-stop or so benefit.

With the 50-200mm, the best I can do is 1/30 sec @ 200mm. With upper arm support (I cradle the 50-200's barrel with my upper arm, above the elbow joint), I can get 1/60 sec but usually in the 1/100-1/200 sec range. So the best IS can give me is a one-stop benefit from best 'handheld' ('arm-held'?) method I use, and that cradling method gives me a one to one-half-ish stop from just using my hands, using the 1/(2*f) reciprocal rule as the reference figure.

This was taken today at that Thai fashion fair catwalk at Vivocity. I was near the front of the catwalk and the presenter (below; 100&#37; crop) was at the back, at the side where the audio control equipment and other crew hang out (about 10m away):

P6171899_cropped.jpg

Zuiko ED 50-200mm, 200mm @ 1/30 sec, ISO400, no noise-filtering.

Resized full picture:
P6171899_smaller.jpg


Here's a rare one at 1/5 sec. More of the exception than norm of the slowest shutter speed IS can provide:
P6172191_smaller.jpg
 

Bought the package at HN funan. $1499, comes with dry box, bag, tripod(changed it for a filter). They do have the basic package at $1299 with 2 pieces of 2GB CF cards. ;)

I made a number of calls today.
Apparently, lowest price among Harvey Norman, CP, and MS is S$1350 (GST included) for the 'basic set' of the E-510. HN doesn't give anything and says you won't can't even claim that 2GB card from Olympus (really..?), CP only says you can get 1x2GB card from Olympus, and MS gives 1x 2GB card (Kingston 'regular' speed) and says you can claim one more 2GB card from Olympus. I got my E-510 from MS.
 

I made a number of calls today.
Apparently, lowest price among Harvey Norman, CP, and MS is S$1350 (GST included) for the 'basic set' of the E-510. HN doesn't give anything and says you won't can't even claim that 2GB card from Olympus (really..?), CP only says you can get 1x2GB card from Olympus, and MS gives 1x 2GB card (Kingston 'regular' speed) and says you can claim one more 2GB card from Olympus. I got my E-510 from MS.

but that day when i bought at HN, i was given the option of the 'basic' package of $1299 for the camera and 2X 2GB CF cards, gst included.
 

but that day when i bought at HN, i was given the option of the 'basic' package of $1299 for the camera and 2X 2GB CF cards, gst included.

I wish I got the salesperson that entertained you that day.
I called Funan, Suntec, Millenia Walk branches. Prices were 1400, 1350, 1350 for basic set. Couldn't give anything. CP and MS also converged to 1350.
MS has a new batch of E-510 already... (was previously out-of-stock)
 

Maybe cause a couple of us were there that day to confirm the pricing with the salesman and we quoted the thread from clubsnap. ;p
he even threw in a hush-hush freebie.
 

I'm curious... the IS on the E510 has 3 modes:

> OFF
> Mode 1 (vertical+horizontal)
> Mode 2 (vertical only) for panning shots I presume

The thing is that when shooting normally via the viewfinder, is the IS working all the time or does it only activate when you trigger an exposure?

Common sense would assume that the IS is activated when you click the shutter in order to conserve power but it this indeed the case?

:dunno:
 

What that noise after we power down E-510??

Guys I try out E-510 a few hours ago. I notice that when I power off the camera. Is has a sound? Is that SSWF working or what?
 

What that noise after we power down E-510??

Guys I try out E-510 a few hours ago. I notice that when I power off the camera. Is has a sound? Is that SSWF working or what?

ya the SSWF 'cleans' during power-up and power-down...
 

My understanding is that the SSWF only works when the camera is turned on.

(You can see if the SSWF is working via the blue blinking light near the shutter button)

Regardless, I highly doubt it's the SSWF as it vibrates at too high a frequenct to be audiable.

I think that what you're hearing is actually the Lens resetting itself to infinity when the camera is powered off.
 

Apparently the when turned on, the IS is "always on". It shouldn't suck too much power though; the amplitude of the sensor shift is pretty minute.
 

I'm curious... the IS on the E510 has 3 modes:

Common sense would assume that the IS is activated when you click the shutter in order to conserve power but it this indeed the case?

:dunno:

Probably, and also to conserve wear-and-tear on the servo motor system controlling the sensor-shift actuations. Otherwise it'll be moving like crazy all the time, till auto-standby mode kicks in, to compensate for the movement when the camera body is just slung across your shoulder and you're walking about but not taking pictures.

I noticed that IS does tend to fail if you get a very fast focus lock on the subject and snap away. I think the designers probably counted on some 'average-time-to-focus-lock' before the IS itself acquires lock onto your hand movements.
 

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