If you do darkroom printing, Leica gives the best tonality, esp at print size from 12x16 up. If you are sending your film to lab for digital rather than analog printing, save your money and get a Contax G2.
At 8x10, there's hardly any diff between a Contax G2 /Bessa R2 and Leica. Most lenses are able to achieve blistering sharpness these days anyway, not to mention the digital sharpening feature that is ON by default. You will only feel the diff when you start doing wet darkroom, seriously.
Sharpness is not everything in a photo, and this aspect can be achieved easily by very contrasty lenses (e.g. Mamiya). But if you appreciate the subtle tonality that gives your picture more texture (e.g. foliage, textile), then Leica's for you.
Student has brought up a great point about IR photography. However, loading IR film into the M6 can be a feat since you're doing it in the dark. Loading 35mm IR film into the MF Rangefinder Mamiya 7 for panoramic shots is an even more challenging task :sweat:
At 8x10, there's hardly any diff between a Contax G2 /Bessa R2 and Leica. Most lenses are able to achieve blistering sharpness these days anyway, not to mention the digital sharpening feature that is ON by default. You will only feel the diff when you start doing wet darkroom, seriously.
Sharpness is not everything in a photo, and this aspect can be achieved easily by very contrasty lenses (e.g. Mamiya). But if you appreciate the subtle tonality that gives your picture more texture (e.g. foliage, textile), then Leica's for you.
Student has brought up a great point about IR photography. However, loading IR film into the M6 can be a feat since you're doing it in the dark. Loading 35mm IR film into the MF Rangefinder Mamiya 7 for panoramic shots is an even more challenging task :sweat: