What exactly is the good thing 'bout FF?


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perhaps you should state what lens you have now as well.

IF all EF-S lens, i wld suggest going 7D. If all full frame L lens, perhaps 5D2.

it is quite stupid to let your lens stable govern your choice of a body.
 

nothing good...good at making you spend more money..buy better lens...which in turns improve the image quality like sharpness/colours etc...

terribly misinformed..
 

And my only solution is High ISO, 450D gets alot of disturbance at 1600 ISO and in fact 800 isn't that fantastic already.
Thus i was looking for an answer to my high ISO performance needs, which concludes that FF, with big sensors, allows bigger tolerance for ISO right? =D
Btw, is 50D gd enuff? I was looking thru the reviews of 50D noise control capability and it seems good. Any 50D users happen to be reading this?

i tell you, the iso performance of aps-c cameras will never match a full frame. its in the physics of things. be it your now gone 450d, the 50d or even the 7d, it cannot touch a full frame body's performance:
http://photography-on-the.net/forum/showpost.php?p=8736840&postcount=49
 

i tell you, the iso performance of aps-c cameras will never match a full frame. its in the physics of things. be it your now gone 450d, the 50d or even the 7d, it cannot touch a full frame body's performance:
http://photography-on-the.net/forum/showpost.php?p=8736840&postcount=49

Indeed and tht's why i'm deciding which to get.
FF camera still has it's reason for being expensive.
They're worth the price.
 

Why not learn to use flash. Any self-respecting event photographer worth his salt will learn flash photography, if not master it.
 

Why not learn to use flash. Any self-respecting event photographer worth his salt will learn flash photography, if not master it.


I've thought of learning flash.
Tried using them.
But flash isn't quite what i want.
The below picture was taken by my friend. To me it's brilliant and i think he've done well.
3988189026_36121796ef_b.jpg

But the second picture that i took with 1ds2 is the type of photo i'm looking for.
I was shooting at ISO 1600 and holy **** NO NOISE ARH!!!!
3988184518_31692372f9_b.jpg

I like natural lights.Flash can't really create that effects do they? correct me if i'm wrong.

By the way it's taken approx. at the same time. He was infront of the couple and i'm behind.
He spam flash i spam ISO

Anyway i'll learn how to use flash =D after i decide which body to get 1st. LOL
 

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I like natural lights.Flash can't really create that effects do they? correct me if i'm wrong.

By the way it's taken approx. at the same time. He was infront of the couple and i'm behind.
He spam flash i spam ISO

Anyway i'll learn how to use flash =D after i decide which body to get 1st. LOL

I suggest you go and read up on flash. Flash is very capable of producing natural looking images, like the one you shot. I don't think your friend's image is exactly the best representation of what flash photography is capable of achieving.
 

I suggest you go and read up on flash. Flash is very capable of producing natural looking images, like the one you shot. I don't think your friend's image is exactly the best representation of what flash photography is capable of achieving.

Is it?
I know if you have lots of equip set ups you can get very natural lightning effects.
But at situations like wedding with just one 580ex II? Still possible?
haha... thanks for the valuable information.
I'll go read more bout' flash:)
 

I've thought of learning flash.
Tried using them.
But flash isn't quite what i want.
The below picture was taken by my friend. To me it's brilliant and i think he've done well.
3988189026_36121796ef_b.jpg

But the second picture that i took with 1ds2 is the type of photo i'm looking for.
I was shooting at ISO 1600 and holy **** NO NOISE ARH!!!!
3988184518_31692372f9_b.jpg

I like natural lights.Flash can't really create that effects do they? correct me if i'm wrong.

By the way it's taken approx. at the same time. He was infront of the couple and i'm behind.
He spam flash i spam ISO

Anyway i'll learn how to use flash =D after i decide which body to get 1st. LOL

proper bouncing, riding of your ISO and flash compensation can recreate natural light..read neil van niekerk's articles here

its not a quest about finding the camera that does it all..but is actually about assuming responsibility on taking the picture and learning good effective techniques
 

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Why go full frame?

Why indeed. Why is there 35mm film, 120 medium format, 4 x 5 and 8 x 10 large format?

Be able to print larger, higher image quality, etc... Once you tried to print A1, there is no turning back - you'll need a 5D2, D3x, 1Ds3, A850, A900, etc...

But seriously, 1.6 crops are equivalent to 35mm film already and for a hobbist, I don't see the need to go FF. Croppers can make great pics too you know.

On the other hand, if you are expected to deliver a certain minimum quality to a client, that's a different story. Then cost is irrelevant and can be recovered over a period of time when we charge clients a fee for a job performed. Yes, in this sort of instance, FF is the most cost effective means to an end - quality. Once we go beyond FF, the $ escalates exponentially.

Rich hobbyists, hmmm there's always something for them to spend their money on.

So should you go FF? Sony's A850 is the least expensive option today. With a 24-70 Zeiss, you have a great 'starter' system.

As you have already burned your bridges behind you (selling the 450D), you should go boldly where the bravest have gone before.

Totally agreed with your point :)
 

it is quite stupid to let your lens stable govern your choice of a body.

it is very impractical not to consider legacy lens owned by someone before deciding on a camera body choice. Switch between full frame / crop for canon due to the efs mount is 'almost' akin to switching systems.

of course this does not apply if you are a filthy rich person with no budget limitation.
 

i tell you, the iso performance of aps-c cameras will never match a full frame. its in the physics of things. be it your now gone 450d, the 50d or even the 7d, it cannot touch a full frame body's performance:
http://photography-on-the.net/forum/showpost.php?p=8736840&postcount=49

a blanket assumption that is not necessarily true.

I'm quite sure the high ISO performance of the 7D is better than the high ISO performance of the original 1DS full frame camera. Just that I do not have a original 1Ds body with me to give you a high iso comparison.

Comparing same age technology, 7D vs 5D2, of course full frame will win, it is a matter of physics as you say, but sensor technology is developing continualy, and a crop camera of the future 'may' be able to win in terms of ISO performance compared to the 5D2 of today, just like how the 7D performance can be better than a full frame camera a few years back.
 

In most cases, in my own opinion, I also prefer non-flash exposures to flash exposures, however you need to learn how to use flash to provide fill in light as well to eliminate shadows that appear on your subject's face under the eyesockets/nose/cheeks. I think your image looks better than your friend's one in these examples posted as well, but only because your friend did not expose for the background properly. I would say that lighting is different as well since you were shooting towards the stage where lighting is better, while your friend is shooting from the front of the couple towards the back of the banquet hall which will tend to have poorer lighting.

Flash when bounced and difused properly only helps to improve your exposure and add to the image. You just need to learn how to expose for the background properly as well.

I've thought of learning flash.
Tried using them.
But flash isn't quite what i want.
The below picture was taken by my friend. To me it's brilliant and i think he've done well.
3988189026_36121796ef_b.jpg

But the second picture that i took with 1ds2 is the type of photo i'm looking for.
I was shooting at ISO 1600 and holy **** NO NOISE ARH!!!!
3988184518_31692372f9_b.jpg

I like natural lights.Flash can't really create that effects do they? correct me if i'm wrong.

By the way it's taken approx. at the same time. He was infront of the couple and i'm behind.
He spam flash i spam ISO

Anyway i'll learn how to use flash =D after i decide which body to get 1st. LOL
 

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I don’t think the comparison here is about he performance of crop body vs FF body, I think they are both excellent performer, I would safely said the same for Nikon D300s or D700. When you choose a camera brand you are not just choosing the camera features but you are buying into the system specifically all the high performance quality lenses, same like why some people are obsess with Leica or Carl Zeiss.

The reason I would think why one wants to move to FF is the ability to maximize the intended design of the high performance lenses. If you notice cream of Canon are the L lenses and they are designed with a FF body in mind after they need to ensure the pro are taken care of. For example, 24-105mm f4 gave you coverage of wide angle of 24 to slight telephoto of 105mm, a very versatile and usable coverage. However, when the lens is mounted on a 1.6x crop you lose the wide angle 38.4mm-168mm. Similarly the $2.6K ultra wide zoom 16-35m will only give you 25.6 (wide angle instead of ultra wide) to 56mm (standard length). So to achieve the same focal length coverage for crop body one can only go for EF-S 17-85mm or EFS 10-22mm.
 

a blanket assumption that is not necessarily true.

I'm quite sure the high ISO performance of the 7D is better than the high ISO performance of the original 1DS full frame camera. Just that I do not have a original 1Ds body with me to give you a high iso comparison.

Comparing same age technology, 7D vs 5D2, of course full frame will win, it is a matter of physics as you say, but sensor technology is developing continualy, and a crop camera of the future 'may' be able to win in terms of ISO performance compared to the 5D2 of today, just like how the 7D performance can be better than a full frame camera a few years back.


BTW, I am curious too! I got the original 1Ds, can loan you to try some shots to compare high ISO! :angel:
 

I don’t think the comparison here is about he performance of crop body vs FF body, I think they are both excellent performer, I would safely said the same for Nikon D300s or D700. When you choose a camera brand you are not just choosing the camera features but you are buying into the system specifically all the high performance quality lenses, same like why some people are obsess with Leica or Carl Zeiss.

The reason I would think why one wants to move to FF is the ability to maximize the intended design of the high performance lenses. If you notice cream of Canon are the L lenses and they are designed with a FF body in mind after they need to ensure the pro are taken care of. For example, 24-105mm f4 gave you coverage of wide angle of 24 to slight telephoto of 105mm, a very versatile and usable coverage. However, when the lens is mounted on a 1.6x crop you lose the wide angle 38.4mm-168mm. Similarly the $2.6K ultra wide zoom 16-35m will only give you 25.6 (wide angle instead of ultra wide) to 56mm (standard length). So to achieve the same focal length coverage for crop body one can only go for EF-S 17-85mm or EFS 10-22mm.

good points too, same as what someone else mentioned on this thread, to use the canon lens at their intended focal lengths.

To me, if you use the EFS lens specifically designed for crop cameras, apart from DOF, you can achieve similar or even better results than the full frame equivalents. For Tele/Super Tele lens, the 1.6 crop matters less since you are looking for a longer reach anyway, so the 1.6 crop of EFS bodies helps in a way.

7D with 10-22, 17-55IS, 70-200 F2.8IS
5D2 with 16-35, 24-70, 70-200 F2.8IS

10-22 has better distortion control and sharpness than 16-35. 17-55 IS has the same 2.8 and range as 24-70 but adds IS. 70-200 on the 7D results in much longer reach than the 5D2.

My only complaint about using the 5D2 is that i need much better/longer tele lens now when compared to using a crop camera. Hence my choice of a crop camera as backup body.
 

BTW, I am curious too! I got the original 1Ds, can loan you to try some shots to compare high ISO! :angel:

cool! maybe we can meet up over the weekend and have a lowlight shooting session for some real world shots for comparison instead of some boring shots of a book cabinet or something in the house haha.... pm for further discussion
 

a blanket assumption that is not necessarily true.

I'm quite sure the high ISO performance of the 7D is better than the high ISO performance of the original 1DS full frame camera. Just that I do not have a original 1Ds body with me to give you a high iso comparison.

Comparing same age technology, 7D vs 5D2, of course full frame will win, it is a matter of physics as you say, but sensor technology is developing continualy, and a crop camera of the future 'may' be able to win in terms of ISO performance compared to the 5D2 of today, just like how the 7D performance can be better than a full frame camera a few years back.

I'm quite surprised. High ISO files from the 1Ds is actually quite useable. Good to A4.

3159375701_c7ed66865c.jpg


Bigger size.
http://www.flickr.com/photos/arkitecture/3159375701/sizes/o/in/set-72157603111817854/
 

Btw, is 50D gd enuff? I was looking thru the reviews of 50D noise control capability and it seems good. Any 50D users happen to be reading this?
Really? I seem to be reading and hearing the opposite - 50D's sensor noise control is abysmal compared to 40D, which is why many are refusing to upgrade. The 450D's noise is terrible, but I have to live with that for now. If you want to bank on high ISO on crop bodies, 7D is your best bet now.

Beyond 7D, i am interested to know how the 60D will shape up.
 

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