PetaPixel What ‘Civil War’ Gets Right (and Wrong) About Photojournalism


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A woman with blonde hair sits in a vehicle's driver seat, looking through the viewfinder of a dslr camera aimed out the window. The vehicle's interior is visible.

Civil War eschews the typical trappings of a combat action movie by turning the lens not toward the soldiers but to the photographers capturing them. And while it excels in some aspects of its portrayal, it falters when it comes to the big stuff.

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