he heh... hot topic isn't it
Nay, just take it as a chitchat. To each their own
BTW Jed, do you think I can disagree with you?
Nay, just take it as a chitchat. To each their own
BTW Jed, do you think I can disagree with you?
Originally posted by Jed
:rbounce: :rbounce: :rbounce:
Hot enough for you?
(The 9 people that voted that film is better than digital at high ISO are probably not so lucky as yourself Red Dawn... consumer digicams do struggle at the higher ISO ratings. Among the profession, those with digital cameras do prefer it almost as a whole compared to film.) But as above, film P&S cameras need a higher ISO because of ridiculously high maximum apertures.
Originally posted by erwinx
I would particularly like to see landscapes by digicams particularly those with horizon/sky/clouds, whereby oversharpening effects can be easily seen in the sky
Digicams still seem overcontrasty to me (perhaps because of all that sharpening) so I would like to see how they deal with monochromatic and/or low contrast subjects.
p.s. also for real comparisons, maybe i should have access to an ls-4000 if not a drum scanner.... but all i have is an ls-40
Originally posted by Red Dawn
wat made his report all the more valid, is that he's still at heart very much a film person (shoots medium format a lot, as well as large format and black and white with his Leica rangefinders). But for all of his 35mm work, he is completely digital.
Originally posted by Red Dawn
Hi, talking about inkjet prints? Those same A4 sized inkjet printouts will look even better if there were shot digital in the first place, with a digital SLR. With the finest grain Provia compared to a D30 as an example, with the D30, you will get grain free and extremely clean images at the same equivalent ISO. After looking at a D30 printout, and then looking at the Provia output, you will immediately notice the difference. It's that dramatic.
Note that i'm not talking about sharpness or contrast here - i'm talking about color reproduction and the "clean" factor. You don't need a loupe to gauge color and the overall "look".
it's something you got to see for yourself - don't just take my word for it. it's true u can scan slides with much more megapixels and megabytes, but how many of those are actual detail, and not extra grain?
at the risk of getting flamed (not that i'm worried - it makes for entertaining posts: didn't someone say the forum is a bit dead?), i would even venture as far as to say, my D30 gives Medium Format a hard run for its money. A VERY hard run.
I shot a large group (20 or so) with my D30, on tripod, ISO 100 using studio strobes (a pair of studio lights with umbrellas), and ckiang setup the same shot with a Hassy. (department property!)
We took several different shots, small groups, large groups, and another colleague shot the same shots with a Yashica T5.
All shots were sent to the same lab using Fuji Frontier machine for prints (A4).
The Yashica T5 with its Carl Zeiss lens did pretty well, but the D30 prints blow it away. At A4 size, the D30 print and the medium format prints are very very close, in contrast, color and sharpness. There is however one difference. The D30 prints are cleaner, with not the slightest hint of grain.
I have no doubt the Hassy will start to show its true strength when we start enlarging the prints to say, 20" x 30" or even bigger. Afterall, that's wat medium format cameras are for right, large enlargements. However, looking at the prints, i'm confident the D30 will be able to hold its own up to at least 10" x 15", maybe even 16" x 20". There are pple in online forums who claim this is possible and they have done it, but of course i have to see it for MYSELF to believe that!
okay, there are lens differences, film differences, machine operator errors etc, so this is not a scientific test. Not by a long shot. No the D30 wouldn't kill of medium format - but it gets very close. it's not better than medium format quality, but close enough to warrant a serious look for film lovers (IF they can get off their pre-conceived prejudices )
gosh...i'm trying very hard not to post any responses in this thread, and look wat i have done. okay, this forum is still alive and let the flames roll in :rbounce:
Originally posted by Red Dawn
Hi
i wonder who are the 9 pple that voted "At high ISO, film is better than digital". i wish i could show them my ISO 800 wedding portrait of a bride, at A3 size
Originally posted by erwinx
I would particularly like to see landscapes by digicams particularly those with horizon/sky/clouds, whereby oversharpening effects can be easily seen in the sky
Digicams still seem overcontrasty to me (perhaps because of all that sharpening) so I would like to see how they deal with monochromatic and/or low contrast subjects.
well, it would be interesting to compare prints from digicams vs prints from scans. maybe at some future gathering in march/april, i could bring inkjet prints from scans and someone could bring prints from digicams.
Eventually digicams will get there, and eventually i will probably buy one, if only for the 1.5x multiplier
p.s. also for real comparisons, maybe i should have access to an ls-4000 if not a drum scanner.... but all i have is an ls-40
Originally posted by ckiang
The S1 Pro's 3 megapixels are more than enough, even for 10x15".
Originally posted by Jed
No no, I'm afraid you've got it wrong there. According to National Geographic, 3mp should only be enough for about an eighth of a page. Or approximately 3" x 4". Certainly not 10"x15".
Tongue ;p IN cheek.
Originally posted by Jed
Yeah well that's what I thought too... but according to Mr McGeehan from that DPreview thread... apparently Nat Geo prints at 500dpi... you know where my tongue is again yes?
Originally posted by nhyone
And, I just checked the D60 specs. Its effective sensor size is 22.7 x 15.1 mm, giving 3072 x 2048 pixels. This gives a dpi of some 3437! That's pretty high.
oh so very very true... heartily agree. traditional print media still having hard time working out a workflow to incorporate digital files. i've been trying my darnest to get them to switch, but they quite stubborn. think previous bad experiences with digital has turned them off...Originally posted by Jed
About the only good reason not to go digital from the professional viewpoint as I see it is that some clients won't accept it, be it publishing houses or clients...