blurboiboi
Senior Member
Nice sunset today! A7S + FE1635:
wow... you got a nice view from your place...
Sony A7/(r) image sharing thread #3
- Thread starter pinholecam
- Start date
wow... you got a nice view from your place...
Thx. Actually, I face the lower hdb blocks roof. This view is when I clamp my camera out of the window and face it eastward. Kinda risky hehe.
shot with Canon 50 0.95 on A7:
[url=https://flic.kr/p/rejPyQ]
Wishing everyone a prosperous year of the goat, 五福临门, 喜洋洋! by Xingjian, on Flickr[/URL]
[url=https://flic.kr/p/rejPyQ]
Wishing everyone a prosperous year of the goat, 五福临门, 喜洋洋! by Xingjian, on Flickr[/URL]overworked
Senior Member
OOC Jpeg.
Bad Robot
New Member
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dickmann88
Member
shot with Canon 50 0.95 on A7:
[URL="
Wow! Love the rendering of the bokeh[emoji106]
Kisuke
Member
A7R with the SEL1635
Lone Tree - The Summoning by Bryan.Chihan, on Flickr
and a cheekier version:
...An Unholy Summoning
Lone Tree - The Summoning by Bryan.Chihan, on Flickr
and a cheekier version:
...An Unholy Summoning
Last edited:
overworked
Senior Member
Just trying out those bokeh lenses haha
dickmann88
Member
thank you! It's a magical lens, given the right light
Need a skilled master to bring out its full potential, will love to get my hands on one some day[emoji16]
haha :sweat:
the Canon 50 1.2LTM can produce similar results too
https://www.flickr.com/search/?sort=relevance&text=canon%2050%201.2%20ltm%20bokeh
Turbonetics
Senior Member
One of my first outing shots with the FE 16-35 F4 lens.
Here is what I do :
To correct for it, I am using 3 ways (interchangeably and sometimes a mix of them).
This is mainly for the vignetting, but method #2 takes care of the color cast as well.
Method 1
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1. Just use the CV12 profile in LR
Pros : Fast
Cons : Can be a tad too aggressive in the corrections causing the file to be brittle to further PP.
No help to the cases where the color cast is strong (seems its strong sometimes and not as obvious in others)
Method 2
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1. Shoot a white wall on long exposure and jiggle the camera about (so that its only a blur of the wall with only the vignette and color cast)
2. In LR, use a combination of CV12 profile and adjustment brush to correct the vignette and color cast.
3. Leave this 'correction template' in a folder in LR.
4. When correcting a CV12 photo, simply click on this 'correction template', click back to the shot to be corrected and click 'Prev'.
This will apply all the adjustments onto the photo.
The advantage of this is that I can usually leave a bit of 'under correction' which is often not too obvious but leaving the file with some mileage for other PP.
Method #3.
========
1. Create a Template as #2
2. Shoot a normal exposure shot and one that is 1.5, 2ev over exposure.
3. Use the template to create a mask in Photoshop
4. Use the mask on the over exposed shot
(I save this as an action so its really easy to apply)
This obviously gives the best quality file (but does not correct for the color cast).
Can be combined with method #2 with just tint correction of course.
Hope the info helps.
I've yet to try paid options, though I did not like using Adobe Flat Field Plugin (slow, hassle, aggressive correction, too many files to manage), seems Cornerfix is about the same.
A7+Pentax K24/2.8
Lake Chuzenji, Nikko #2 by jenkwang, on Flickr
Ryuzu Waterfall (Ryuzu no taki), #1 by jenkwang, on Flickr
Senjogahara Marshland, #2 by jenkwang, on Flickr
Lake Chuzenji, Nikko #2 by jenkwang, on Flickr
Ryuzu Waterfall (Ryuzu no taki), #1 by jenkwang, on Flickr
Senjogahara Marshland, #2 by jenkwang, on Flickr
The usual excellent shots from the master.:thumbsup:
A7+Pentax K24/2.8
Lake Chuzenji, Nikko #2 by jenkwang, on Flickr
Ryuzu Waterfall (Ryuzu no taki), #1 by jenkwang, on Flickr
Senjogahara Marshland, #2 by jenkwang, on Flickr
agree, the colours and details really pop!
Thanks guys.
Certainly no master, just the typical guy trying to get some landscape shots out on a tour.
The location was nice.
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