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mamiya 645
Tri x@iso 200
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503cw cfe80, extension tube, provia.
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Wah! bery nice
when i return in July......
show me a thing or 2 how u shoot leh :embrass:
Beautiful MF !
u know, after last few yrs of hasselblad, i have decided, i shall excel my marco of flowers and plants in MF and LF.![]()
here's another sheepish :embrass: question....
do u guys (those still learning) all use a spotmeter or something?
I know the experts have already shot so much that possibly even know the metering, without needing to measure?
I have an alcheapo polaris light meter with a 10 degree spot...but i think its not accurate.
I metered with my D70 on spot and its quite a leeway off....
is there a way to calibrate the light meter? (this sounds ridiculous right?) or should i just purchase a good spot meter? (which ones?)
I use a sekonic, it's "calibrate-able" but not easy to do so. So i just stick with the defaults. I had a polaris before but didn't care for the 10 degrees, too wide for a real spot.
That said, the sekonic is one very sophisticated, bulky and expensive piece of equipment of which I hardly use 20% of it's full capabilities. You might also want to consider some older 1 degree spot meters, pentax if I'm not wrong. But those you'll need to hunt down on ebay and such.
Of course if you just use the spot meter alone without knowing how to interpret the results, then that's even worse than using an area based metering system. If you couple it with the zone system, that's when things start to fall into place.![]()
I prefer spot metering, and my Hasselblad prism has one.
Not familiar with Polaris though. I use a Sekonic for my other cams.
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Hence, i brought out my D70,put it to spot and tried to compare against the polaris spot and found that the values were very very much different. ....:cry:
I'll try to look for a sekonic spot then....which particular model will that be?........ or the hassy? .........
I prefer the PME-45 over the PME 90, not too much strain on muscles.
The PME-45's spot is 12 degrees I think, but I have no problems especially since I shoot mostly with a 180mm where most of the light is even - i.e. close shots. Further away, or using 80mm, just more careful and move it around checking. I used Sekonic separately once, but after comparing, it's almost the same, so I just use the prism's spot now. I still use the Sekonic for others, 1-degree, and of course ambient which I need for flash/strobes.
Yes, I think they are expensive, even used, but I got the whole Hassy set from a friend so I did not feel the pinch on my already empty pockets.
A cheaper alternative is the Kiev, cheaper than the Sekonic too. So you have an uninverted view, and a spot and center-weighted at the same time. I bought it here:
http://cgi.ebay.com/SPOT-TTL-prism-...ptZLH_DefaultDomain_0?_trksid=p3286.m20.l1116
But I have compared it, even already calibrated by factory (or maybe they just did not), not as accurate or comfortable as the Hassy - i.e. does not come as close to Sekonic reading. So factory must have used some other comparison. But you can calibrate yourself. For the price, can't complain too much.
How it looks through the screen (ignore the Rollei information) :
http://www.photographical.net/tlr_ttl.html
How to calibrate it:
http://kievaholic.com/meters.html
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yeah, i know it is much more satisfying when i get it right...but i think my light meter is seriously screwed liao...its throwing wild values at times......I used to do that as well, bring a digital camera to test the light, but it's just too much of a hassle, not to mention the additional weight.
If your metering technique is sound you must learn to trust the meter. In fact it's more satisfying when you get it right this way.
I'm using the sekonic 758D... I think the other sekonics don't have the 1deg spot. Another good thing about the sekonic is that you can fire off at several spots and let the meter average them for you. Or to see what's the contrast range within a scene to predict how it will look on film. But like I said, it's one complicated device which I have yet to master.
Yeah, man, you are very good at it. We do find out later what we are most interested in and good at. Of course, we can change later too, even Bresson went back to painting. I remember those days when I bought so many lenses (to learn and use, not to collect), figured out soon enough that I only wanted very little.
And speaking of flora, I always remember Imogen Cunnigham, who was most known for this (using LF), but she also added more later to her photography.
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:bigeyes::bigeyes:::thumbsup:
Wah! care to share where you meter, how u meter and then how u develop this?!
SWEEEEEEEE!