Share some MF photo.... Part 6

[hookonclassic]

I found 3 boxes of negatives, LF 4X5 , mainly 6X6 and also tonnes of 135 colour (faded).
These are my late dad's work. From 1962- 1969. He shot a lot less after 1970, possibly the arrival of me and my siblings.

I am thinking how to share them. If you can help in old B&W restoration and scans, I have a mini lab and V700. PM me.
Thanks to technology (Epson V700, digital imaging, etc) my dad's work now see day light.

Great works from your dad. :thumbsup:

Please share more...

 

[Nikkornos]

Scanning is not easy. The film are old and got dust/fungus.
In 1960s everyone stored in those paper box with roti paper sleeve. Woodworm gets in and trouble starts. Can't be help.
I had been using vaccum cleaner and some film needs wet cleaning.

The Epson V700 seems to like B&W, fortunately. C41 type film are a ******* to scan. But B&W is much more forgiving. I wonder why.

 

[Nikkornos]

Fuji Reala 100, the best print film

Model shots using Rolleiflex 2.8F

 

[Nikkornos]

The film performs very differently in muted light.

No wonder Professionals now all goto Digital.
Its more consistent, and no worries of screw ups during film processing/ scanning.
Epson V700 needs dedicated holder and Silverlight to do a good job. I am using the original older and original software..

 

[lkkang]

Bro, your skin tone color goes all over the shop.

 

[Nikkornos]

Bro, your skin tone color goes all over the shop.

Fuji Reala and Fuji 400Pro mixture. How to make them look the same?

 

[Nikkornos]

Straight from V700, No processing yet.

 

[knight84]

Fuji Reala and Fuji 400Pro mixture. How to make them look the same?

Use color checker for each light condition and a color calibrated monitor !

 

[nstclicks]

I found 3 boxes of negatives, LF 4X5 , mainly 6X6 and also tonnes of 135 colour (faded).
These are my late dad's work. From 1962- 1969. He shot a lot less after 1970, possibly the arrival of me and my siblings.

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The splotches actually give this photo even more character !

 

[Thedraperyfalls]

This entire roll suffered an unfortunate accident.

At least the subject is largely unscathed, and the yellow coincides with his shirt.
Evidently, my glass is half-full.

Using the 43mm for portraits is interesting.
When pushed in close, you get quite the dramatic perspective.
It's rather subtle, but easily discernible. I like it.

(Mamiya 7ii / 43mm f/4 / Ektachrome)

 

[Thedraperyfalls]

Another shot from the same roll. Once again, my subject narrowly escapes.

(Mamiya 7ii / 43mm f/4 / Ektachrome)

 

[Nikkornos]

Ok found my old friend on editorial and publication: if model is hot , who cares about skin tone. Ha ha! Patrick Please pass me the i8 calibration sheet thanks.

 

[Nikkornos]

Another shot from the same roll. Once again, my subject narrowly escapes.
(Mamiya 7ii / 43mm f/4 / Ektachrome)

The accident actually added more interest to the frame!!

 

[raytoei]

Mamiya 645AF with 80/f2.8 lens
Film is Kodak T-Max 400
Developed in D-76 at Fotohub
Model: Min Yi
Makeup: Airin
Lighting and Assist: Mohd Fadly Salleh

 

[evilspoon]

Vietnam- Turtle temple by bokehboy21, on Flickr


Vietnam- School by bokehboy21, on Flickr


Vietnam by bokehboy21, on Flickr

 

[JGHan]

[/url] D1000003 by HANJG, on Flickr[/IMG]

 

[Nikkornos]

Mamiya 645AF with 80/f2.8 lens
Film is Kodak T-Max 400
Developed in D-76 at Fotohub
Model: Min Yi
Makeup: Airin
Lighting and Assist: Mohd Fadly Salleh

Good!

 

[Nikkornos]

Keep scanning the negatives bit by bit

Fisherman
Kemaman Chukai Trengganu 1961

Rolleiflex 2.8E Planar

 

[Nikkornos]

Mending Nets
Kemaman 1961-62

Rolleiflex 2.8E Planar

 

[Nikkornos]

Mending nets again

Rolleiflex 2.8E Planar