This one...
The day I move on to FX will be the day I get this lens
This one...
This one...
Wow... Okay... It would be great if they come up with another version that could autofocus...
Have you used such an ultra-wide angle lens before? Obviously you haven't bought it, but have you tried it out, say... on a friend's camera? Not necessarily the 11-16 but a lens with similar focal length.
You can see for yourself what folks use the lens for.... not just landscapes..
http://www.flickr.com/search/?q=Tokina%2011-16
Then it would not cost the same price, probably 3 times more.
I am happy with the manual focus one. Especially for this focal length.
Digressing from this discussion on the 14-24 and to share my dilemma after swopping to FX.
I had to dump my 11-16 (like what nickzkcin suggested). I narrowed my choices to (i prefer uwa zoom lenses):
1. Nikkor 16-35 f4
2. Nikkor 14-24 f2.8
3. Nikkor 17-35 f2.8
4. Tokina 16-28 f2.8
In the end, i decided to remain loyal to Tokina and went for the 16-28. Feature-wise, it is about the same as the Nikkor 14-24. It also features a a bulbous front element which doesnt allow front filters but i managed to DIY for it to mount square filters after learning from experts here. Physically, it is heavy, big and comes with a lousy lens cover (that falls off easily).
However, what bought me over was the price and IQ. it is about half the price of the 14-24 and performance-wise it almost comparable to the 14-24. Reviews is also good for this tokina UWA.
Just my 2 cents
And it's 2mm tighter than the 14-24mm...
The Tokina 16-28/2.8 is cheaper than the Nikkor 16-35, and a stop faster.
It loses VR (which isn't such a big deal for a UWA) and the Nikkor brand name.
The main downside is the lack of a commercially available filter + holder system. Perhaps if its popularity grows, some company will make a filter holder for it.
For panoramas, you don't really need autofocus as generally most of your stuff will be at infinity.
One glaringly major con with the 14-24 is that it does not accept filters. The front element protrudes dangerously out and will get in the way. This will be a big problem if you want to use this lens for landscape shots. Other obvious cons are its heavy, oversized and expensive.
Pros are that its the sharpest FX zoom lens available. Very very minor distortion at 14mm and excellent corner and center sharpness with little flaring. Its widely hailed as legendary.
You're using a DX camera, I'd just get a DX lens even if you're planning on a FX route. You can always sell the lens off.
The Tokina 16-28/2.8 is cheaper than the Nikkor 16-35, and a stop faster.
It loses VR (which isn't such a big deal for a UWA) and the Nikkor brand name.
The main downside is the lack of a commercially available filter + holder system. Perhaps if its popularity grows, some company will make a filter holder for it.
This one...
I love my Samyang (Rokinon) 14 f2.8 lens...Its super sharp and one of the best deals out there...I got mine in Nikon Mount, but I also use it with a Nik to EOS adapter on my 5D when I need a wider view...I think the Nikon 14-24 f2.8 is a great lens but its crazy price and heavy weight does n't fit my needs or budget, and it will invariable fail as its a "G" lens with a built in motor. Thats why Zeiss still builds manual focus glass to this day for Nikons and Canons...
Cheers
One glaringly major con with the 14-24 is that it does not accept filters. The front element protrudes dangerously out and will get in the way.
It's the AF-S which makes it a version with built in motor. G makes it gelded (aperture ring removed).
How does having the AF-S motor hurt? If it fails, you can still manual focus.
I love my Samyang (Rokinon) 14 f2.8 lens...Its super sharp and one of the best deals out there...I got mine in Nikon Mount, but I also use it with a Nik to EOS adapter on my 5D when I need a wider view...I think the Nikon 14-24 f2.8 is a great lens but its crazy price and heavy weight does n't fit my needs or budget, and it will invariable fail as its a "G" lens with a built in motor. Thats why Zeiss still builds manual focus glass to this day for Nikons and Canons...
That's like saying you have to drive a Ford Model T to avoid having electronics failure in contemporary models :bsmilie::bsmilie::bsmilie: