Nikon D700, time to switch camp


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i don't see the point of any prolonged discussions about a user who announces his/hers choice in changing systems. its your money and your preference, if the TS decides that the deal breaker in camera selection is ISO6400, ok lor. :dunno:

we could bring up all the various pros and cons of the 4/3 system again to educate the TS, especially on the differences in format (btw: 4/3 is not a sub-135 format at all, thats why its a full-frame format, its not that 'everyone has their own definition of FF'. it is)

to the TS: good luck with your future system
 

how do u managed to get this conclusion? u comparing a "not-yet-for-sale" d700 with a 3years old and aging 5d price? :dunno: As far as FF prices comparison is concern, i don think we can even compare any of the FF in canon and nikon. d3 vs 1dsIII? no way to compare due to the much difference in usage and of cos MP count. d700 vs 5d? one is 3yrs old tech, another 1 is not even out in the market. this is as good as comparing a 20d(price before it stop completely) with d300.

lastly, im not saying nikon is cheaper or wat, but as of now, its too fast to draw a conclusion even out any clue of 5dmkII disclosed
Then this thread should belong to nikon subforum. :)
And also will there be even a 5dmkII? i see the canon fans so excited there is 30 pages on this model.
 

Then this thread should belong to nikon subforum. :)
And also will there be even a 5dmkII? i see the canon fans so excited there is 30 pages on this model.

I'm not even sure this thread should be alive. I almost posted something but decided that I wasn't being nice enough, so I stopped. When I was a moderator elsewhere, I probably would have had to warn people within the first 20 posts about a thread like this. :bsmilie:

In those cases, it was generally someone who didn't have the product and just wanted to create problems. I think the TS' switch is a bit unbelievable. If it's the truth, I'll be happy to wish him the best.

I suspect that there is a point where our most treasured new piece of technology becomes the biggest piece of rubbish because something else arrives that is more desirable. Once people start using the newer thing, it becomes rubbish also. :bsmilie:

Personally, if I was so worried about noise, I'd buy a medium format camera instead of a 35mm format camera simply because its full frame is much bigger than the other's full frame. :bsmilie:
 

I'm sorry, but I don't see the point of this thread (other than for flamebait), and feel it should be deleted. The camera being discussed is $2000-$3000 more than the cameras Olympus sells. It's like complaining about the performance of a street legal Honda, and comparing it to a $6,000,000 F1 racing car.

135/35mm is not the be all and end all of film formats, every format has its strengths and weaknesses. Besides 135 I've used 6x6 (medium format), large format, I've even used a process camera (which is a camera taller than a person which you walk into the back of), and I've even used 110 and Polaroid so I know what difference frame size makes in terms of the final image. Even with all that I personally choose to use FourThirds for its benefits, and have yet to see a camera on the market that could change my mind and make me switch to another brand or format.

I've been a photographer for over 30 years and I've used an E-300 for 3 of those years, and noise has never been an issue for me (and I do a lot of indoor photography at poorly lit events). Personally I feel it's a poor photographer who blames his tools (after all he chose them).

But hey if you want to switch camps it's no skin off our noses, but please don't try to rub our noses in it. If you were a regular poster here and wanted to say goodbye, you could have done it more pleasantly.

Personally though I think this is a lack of photographic experience...there are many pros out there who use FourThirds in low lighting conditions with no problems and no complaints about noise, and they CONTINUE TO USE OLYMPUS even with the new models the competition is bringing out.

I just got a book recently by Rolando Gomez (who is a professional model photographer) and in the book he primarily uses the E-1, E-300, and E-500 (and a few with a Leica R9), and none of his low light images shows any noise, including the cover picture which was an E-500 image taken after sunset (most of his images indicate what camera and lens he was using, as well as camera settings).

If you were having problems with noise you should have posted a few images and list the settings you were using so that you could get some help, not start this thread just complaining and saying you're switching.

I'm sorry but that had to be said, and I've tried to keep it as civil as I can.
 

correct me if i am wrong but i believe the highest iso film goes is iso3200 and is commonly b&w film. with push processing, you would hit iso6400. but even with film, high iso film is characterised by grain, some lesser and some more.

similarly, we now have more noise or less noise, some more chromatic, others more pleasently reminiscent of film grain.

I personally can appreciat that being able to shoot at 6400 with available light is a great advantage but if you couldn't use a flash effectively or use grain/noise in a creative manner, then you'd be just as handicapped.
 

correct me if i am wrong but i believe the highest iso film goes is iso3200 and is commonly b&w film. with push processing, you would hit iso6400. but even with film, high iso film is characterised by grain, some lesser and some more.

Let's say digital never existed...film would have been continued to be radically improved; I've seen recent ISO1600 film pictures that looked better than ISO800 pictures from 20 years ago. There's no doubt we would have eventually reached ISO12,800 film and existing high speeds would get cleaner.

But now with digital that R&D money is being put into improving sensors rather than film. Personally I'm hoping someone makes a sensor that has the picture quality of CCD with the cool operating temperatures and lower prices of MOS without the inherent noise that is characteristic of MOS sensors.
 

wow. clap clap. A bit OT, you know I got deregistered for bitching about a similar thread closure? Unfortunately, that thread was not in this forum else I probably would still have my old nick. I thought people are mature enough to discuss brands freely.

A former 4/3rd user, I am also thinking of getting a FF camera. Not for the high ISO capabilities though but rather for the 35mm f1.4 DOF.

Actually for low light capabilities, what you gain in ISO, you lose out if you don't have IS. Actually with the 30mm sigma f1.4 you can actually shoot some pretty low light pictures. Furthermore, with the IS you can introduce some motion blur which can make your shot very interesting. Olympus has something nikon doesn't have, a stabilized f1.4 lens. That gives you ard 3 stops more, which is like comparing ISO3200 to ISO400.... I think olympus ISO400 is more than comparable to nikon's D3 ISO3200 :)

Seriously, have you tried the 30mm f1.4? At ISO400/800, f1.4, shutter 1/8, you can shoot really low light stuff.

I am also thinking about full frame but definately not because of low light shooting.
Folks, I've reopened this thread for the sake of civil discussion (and I mean CIVIL).

Points to note:

1. No brand-bashing.
2. No chest-beating.
3. Do bear in mind that the two systems discussed here are COMPLETELY different in nature.
4. And lastly, DO NOT even attempt to flamebait; I'm taking a ZERO tolerance stance on this.

I hope to see some maturity in the posts following.
 

Hehe, this is one FourThirds/Oly forum populated by level-headed folks; I appreciate the restraint showed so far.

I'll remove this thread on Monday, 7 Jul at 1200 UTC, till then have your say and stay your peace.
 

wow. clap clap. A bit OT, you know I got deregistered for bitching about a similar thread closure? Unfortunately, that thread was not in this forum else I probably would still have my old nick. I thought people are mature enough to discuss brands freely.

A former 4/3rd user, I am also thinking of getting a FF camera. Not for the high ISO capabilities though but rather for the 35mm f1.4 DOF.

Actually for low light capabilities, what you gain in ISO, you lose out if you don't have IS. Actually with the 30mm sigma f1.4 you can actually shoot some pretty low light pictures. Furthermore, with the IS you can introduce some motion blur which can make your shot very interesting. Olympus has something nikon doesn't have, a stabilized f1.4 lens. That gives you ard 3 stops more, which is like comparing ISO3200 to ISO400.... I think olympus ISO400 is more than comparable to nikon's D3 ISO3200 :)

Seriously, have you tried the 30mm f1.4? At ISO400/800, f1.4, shutter 1/8, you can shoot really low light stuff.

I am also thinking about full frame but definately not because of low light shooting.

IS cannot freeze motion in low light condition. :think:
 

If I am not wrong, for the price of D700 body only (is it USD2000 or 3000), u can get the following 4/3 lenses at nearly the same price bracket -

"Super High Grade"
=======================
Zuiko Digital ED 7-14mm F4.0 -------- $2,530
Zuiko Digital ED 14-35mm F2.0 SWD -------- $3,100
Zuiko Digital ED 35-100mm F2.0 -------- $3,399
Zuiko Digital ED 150mm F2.0 -------- $3,600

Won't these F2.0 give u good enough pictures in the pub. I was in a pub recently taking photos and was quite happy with the high ISO shots on the 12-60. But of course, different people may require even cleaner images so only u know yourself.
 

But to the TS, I was also quite intrigued by the D700. So I think this thread is valuable as discussion and for diplomatic comparison. But after I saw the specs and the camera review, I figured it (D700) was not as functional as the E3 and probably is more in the range of the E520 or a little more, or even in between. In addition, I saw a Nikon lens on display.....I think it was a 300 mm (35 mm equivalent) or something...it was HUGE!!! Granted it was an F2.8 or something small. My god...I realized that the 70-300 that we had was so much more portable and was the 600 mm equivalent. No way would I (as an amateur) be toting around a Nikon lens like that....in fact, probably cannot afford it. Haha.
 

wow. clap clap. A bit OT, you know I got deregistered for bitching about a similar thread closure? Unfortunately, that thread was not in this forum else I probably would still have my old nick. I thought people are mature enough to discuss brands freely.

A former 4/3rd user, I am also thinking of getting a FF camera. Not for the high ISO capabilities though but rather for the 35mm f1.4 DOF.

Actually for low light capabilities, what you gain in ISO, you lose out if you don't have IS. Actually with the 30mm sigma f1.4 you can actually shoot some pretty low light pictures. Furthermore, with the IS you can introduce some motion blur which can make your shot very interesting. Olympus has something nikon doesn't have, a stabilized f1.4 lens. That gives you ard 3 stops more, which is like comparing ISO3200 to ISO400.... I think olympus ISO400 is more than comparable to nikon's D3 ISO3200 :)

Seriously, have you tried the 30mm f1.4? At ISO400/800, f1.4, shutter 1/8, you can shoot really low light stuff.

I am also thinking about full frame but definately not because of low light shooting.

looks like I'm being castrated for saying what I would like Olympus to have. I thought that having a wishlist for Olympus would helped in developing a future product that caters to the needs of the customers. After all, don't manufaturers have surveys to help them identify trends or customer's preferences ? I don't think my comments should be taken in a negative light and it was not meant to be negative.

I would have appreciated some positive comments on how to minimise noise, apart from the usual Noise Ninja, etc.. approach. I saw a colleague's ISO 64000 photo taken by a Canon Full Frame and was blown over by the lack of noise and saw a light at the end of the tunnel for my low light shots. He wasn't a pro too and didn't spend too much time on Photoshop.

It is unfortunate that all this was regarded as product bashing and you would have noticed that in all my comments, I've never targetted any negative comments at anyone. It was always about what I needed in a camera for the type of shots that I take and my observations on the industry trend. Anyways, since these comments are obviously not welcomed here, I'll stop. I must say though in any discussions, it would not be a thought provoking discussion if there are no alternative views. I always have interesting and sometimes heated debates with my friends, and at the end of the day, we are still friends. We agree to disagree.

as for "pisduck" question on trying out the f1.4 lens as a means to resolve the low light issue, I appreciate your constructive suggestion. One of the few in these discussions, however, most of my shots are shot at medium aperture, ie. F8 or thereabouts as most of my shots that are wide open (ie. F2.8) had focusing problems. A lens at F1.4 would have razor thin dof and based on my experience, it would have few keeper shots, due to focusing problems. I'm sure someone else more skilled than I would have a larger number of keeper shots.

I'm not blaming the camera for this state of affairs, it's just that I need a camera to suit my level of skills and expertise. Not everyone can afford the time nor inclination to hone their skills through years of dedication. The old adage " A bad carpenter always blames his tools " while may be true, but with today's technological advancements, a bad carpenter can produce work that equals that of a good carpenter, if he has the right tools to work with.

If you take a look at the progress of the cameras, the first generation cameras needed a lot of technical skills to determine aperture, speed, focus. The camera did not do this for you. Today's DSLR has fancy technology to do that for you so that the photographer can just focus on the composition and not have to make split second decisions on what aperture to use and at what shutter speed and at what focusing distance.

I take pictures because I like the end results of the pictures, the challenge of getting the right composition, without spending tedious amount of time in Photoshop for touch ups or in the technical aspects of it. That's just me. Someone else might relish the technical challenges to cope with the limitations of the camera. That wouldn't be me.

Anyway, as this thread will be deleted in a hour's time, I doubt that many people will be reading this. For folks that are reading this, there's a camera for everyone and I'm not forcing my views on you, just my objective observations on a little hobby of mine and what floats my boat.
 

Congratulations to your new toy. And good luck.
 

But to the TS, I was also quite intrigued by the D700. So I think this thread is valuable as discussion and for diplomatic comparison. But after I saw the specs and the camera review, I figured it (D700) was not as functional as the E3 and probably is more in the range of the E520 or a little more, or even in between. In addition, I saw a Nikon lens on display.....I think it was a 300 mm (35 mm equivalent) or something...it was HUGE!!! Granted it was an F2.8 or something small. My god...I realized that the 70-300 that we had was so much more portable and was the 600 mm equivalent. No way would I (as an amateur) be toting around a Nikon lens like that....in fact, probably cannot afford it. Haha.
at the end of the day, u lose wide and iso performance with olympus but you gain tele and "bigger-hole" lens.

well anyway, in the near future we should be seeing pretty clean iso6400 shots from the aps-c and 4/3 cam (at the same time the 35mm format might be even cleaner). the chase is just endless, its always ISO = bigger sensor, currently oly should have realised it long ago before they even decide to get oly, same goes for all the aps-c user. but like what oly5050 have said, those who intend to upgrade to larger sensor than 4/3, be prepare to see no f2 zoom lens from any brand.
personally as a aps-c sensor camera user, i drool at the 35-100 f2
 

at the end of the day, u lose wide and iso performance with olympus but you gain tele and "bigger-hole" lens.

well anyway, in the near future we should be seeing pretty clean iso6400 shots from the aps-c and 4/3 cam (at the same time the 35mm format might be even cleaner). the chase is just endless, its always ISO = bigger sensor, currently oly should have realised it long ago before they even decide to get oly, same goes for all the aps-c user. but like what oly5050 have said, those who intend to upgrade to larger sensor than 4/3, be prepare to see no f2 zoom lens from any brand.
personally as a aps-c sensor camera user, i drool at the 35-100 f2

I do hope they can get clean ISO6400 from aps-c or 4/3 sensors. I really don't relish the thought of carrying those huge full frame lens on my trips.

For my needs, the low light situations happens indoors (homes, restaurants, pubs), so I don't need huge telephotos, medium range ie. 50 -100mm is good enough for me. If the full frame sensors gives clean ISO6400 images, heck, I don't even need F2 zoom lens, F3 or even F4 would be a good compromise against weight and cost.

As for the 35-100 F2, don't drool yet, check out this site:
http://www.e-fotografija.si/templates/default.aspx?a=1071&z=93

it is a monster and it's weight will make your arms tremble, negating the F2 aperture advantage. Wide open, it is very soft, compared to F8. Most lenses do not perform their best wide open, so I try to use the sweet spot, somewhere in the middle and gives me good sharp focus everytime, even if I fudge the focusing (bad eyes you know). Of course, if you want really shallow dof, that's another matter, and it comes at a price (ie. soft images)
 

I do hope they can get clean ISO6400 from aps-c or 4/3 sensors. I really don't relish the thought of carrying those huge full frame lens on my trips.

For my needs, the low light situations happens indoors (homes, restaurants, pubs), so I don't need huge telephotos, medium range ie. 50 -100mm is good enough for me. If the full frame sensors gives clean ISO6400 images, heck, I don't even need F2 zoom lens, F3 or even F4 would be a good compromise against weight and cost.

As for the 35-100 F2, don't drool yet, check out this site:
http://www.e-fotografija.si/templates/default.aspx?a=1071&z=93

it is a monster and it's weight will make your arms tremble, negating the F2 aperture advantage. Wide open, it is very soft, compared to F8. Most lenses do not perform their best wide open, so I try to use the sweet spot, somewhere in the middle and gives me good sharp focus everytime, even if I fudge the focusing (bad eyes you know). Of course, if you want really shallow dof, that's another matter, and it comes at a price (ie. soft images)

my dear friend,i find that the way you spoke invited a bit of shooting,so just think of how would you feel if you were reading this from another's point of view,i understand you want clean pictures,i also want clean pictures sometimes,but we can't have the best of both worlds.

35-100 f2 is not heavy,trust me,when I first held it,that was the first high grade lens with a tripod collar i ever held ever since i started getting into photography,and I thought it was heavy,and it seems that you've never held a bigger heavier lens.I've carried Zuiko digital 90-250 f2.8,it was 3.2kg,when i shoot with it,no problem,even with E-1,but after 2 hours of carrying it,i got tired,now,whenver i shoot with 50-200 and 35-100,it's peanuts.

Just give Olympus and other companies time,has technology advances,the noise will be reduced at no cost to details and image quality,digital technology is relatively young when compared to flim technology,so I won't complain much,but at the end of the day,as you've said and some others said,it's all down to what you need and or want,and whether you can live with it,I personally can live with me E-1 and E-510 with my current lenses and i work around problems with them,hope you find what you're looking for
 

I guess the biggest issue people have with this thread is on the larger forums (like DPReview) is it comes up all the time, and people are tired of hearing people praise the competition, and when you do that you (unintentionally) put down Olympus.

To me forums should be ONLY about the camera that the forum is about, not talking about other OFF TOPIC brands. Going into a Chevy car forum and talking about Ford is akin to committing suicide (because you're going to be roasted), or Mac & PC for that matter...person complains they have a PC that crashes, and instead of saying something to help the person some idiot says to get a Mac (although I've seen plenty of Macs that crash while my Windows machines don't)...you have an Olympus that has high noise, get a Nikon D700...see the similarity?

There is a place for the D700 in the world, for instance newspaper photographers who are photographing in the dark, or at low light events like concerts, they need to get the shot whatever it takes (including money), but that one benefit does not make a good camera...when I was choosing a dSLR I looked at the Canon & Nikon offerings, but they were weeded out in the first round because they were mediocre cameras (remember I had 30 years of photography experience to go by).

I guess what's being said here is if you want to discuss the D700 you should do it in a Nikon forum...doesn't that make sense?
 

I do hope they can get clean ISO6400 from aps-c or 4/3 sensors. I really don't relish the thought of carrying those huge full frame lens on my trips.

For my needs, the low light situations happens indoors (homes, restaurants, pubs), so I don't need huge telephotos, medium range ie. 50 -100mm is good enough for me. If the full frame sensors gives clean ISO6400 images, heck, I don't even need F2 zoom lens, F3 or even F4 would be a good compromise against weight and cost.

really, there are much easier and cheaper ways to get clean images if you are shooting indoors, 'normal' to short telephoto range pictures with cheap lenses. its called a flash unit.

high iso performance is great, but its only one aspect of a camera system. nikon has made big strides with the D3 and D700 in the sensor department, but if you are just drooling (as you said) about the high iso capability, then you are missing on the other wonderful things about that camera system.

its sad really, because your eagerness to share your ignorance on the 4/3s system while brushing aside important information to celebrate your gear envy is not contributing any bit to CS and especially here in the 4/3s format.
 

lAnyway, as this thread will be deleted in a hour's time, I doubt that many people will be reading this. For folks that are reading this, there's a camera for everyone and I'm not forcing my views on you, just my objective observations on a little hobby of mine and what floats my boat.


Nah, it's 7 Jul 1200H UTC, which makes it 7 Jul 2000H Singapore time - another 19 hours.
 

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