Quote:
"Is the difference between 1/500 and 1/400 so significant that you cannot live with it? 10-20% failing rate because of this? You must be a damned good photographer then. Because for years and years, pro photographers have been using Hassys with slide film (same lattitude as digital, or even less) with no apparent problems."
How sure are you that all year round they have no problems? did they inform you? any statistic to support? or was it a misconception that you assume?
If you think Hassy lens shutters so unreliable, how did they get to No 1 position, used by tens of thousands of pro photogs for slides? In the film days, MF cameras and lenses cost tens of thousands of dollars each, if they weren't reliable, do you think pros are stupid enough to buy them?
Or are you telling all to accept the difference between 1/500 and 1/400 and live with it when you pay for lens range from of US$700-3000. Live with it since you pay so much???
Your basic assertion-- that mechanical shutters are so unreliable they cannot be used with digital-- where is your proof?
Second hand CFV cost about US$6000plus, V96C US$3500plus minus, 500CM kit US$1300-1600, servicing say S$500-1000.
You must shop at the wrong places? People practically giving away 500CM's at US$5-600 on eBay you know. Here's an
example with A12 back and kit lens at US$541. And it's cheaper than that on personal classifieds. Servicing at $1000? Who are you kidding? Why are you trying so hard to exaggerate?
You don't like manual cameras, you think electronic shutters are better, just say so, no problem. But to put out misinformation and misconceptions to support your case? It shows what you really are.
So about US$7000-8000 for CFV, US$5000-6000 for V96C for start than later you may add a 150mm or 40mm for US$500-750 or US$1600-2500 so have to set aside close to US$10000-12000 for CFV and US$8000-9000 for V96C.
Lets factor in another US$2000-3000 just in case it need to send in for repair etc. Worth it??? You guys decide whether is cost effective.
If we can't trust your figures for the camera, how to trust your figures for the back?
So a H-series say the H3D II 31mb for S$23k is it worth all the worries or a Mamiya M22 for S$14-15k for example.
How to trust your figures? Where's the credibility?
It is the system that one has to consider after buying the camera. Lets face it V-series is really just for film and you are compromising to use with the digital back. If not why Tim Flach and Alec Soth move from V-series to H-series.
I don't know these two characters and wouldn't know why they moved. But certainly a working pro is entitled to move up the technology curve if his business can support it. Doesn't mean the previous equipment can't take good digital pictures, esp for non-working pros.
I didnt say that C lenses or CF lenses cant use for the digital, it can but you will see not good results.
Where is your proof that CF lenses cannot give good digital results? Do you have controlled tests?
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Lets see...
You focus on the small things and not the big things. Like possible micro-movement of the camera when cocking, so no good for digital. Like possible minute shutter speed variation of mechanical shutter, so no good for digital. Possible chromatic aberration caused by older lenses, so no good for digital. All the while ignoring the many many satisfied Hassy digital back users all over the world and the thousands of Hassy digital images available for you to pixel-peep if you want them.
You exaggerate Hassy V used prices, repair costs and serviceability. You highlight old issues like vignetting on old bodies and misrepresent that it makes them unsuitable for digital, conveniently forgetting that with a cropped digital back, viewfinder vignetting is not an issue. And you also ignore the HUG guys who gather at Shriro every month and who are getting splendid results from their V bodies and lenses on both digital and film.
So who is picking bones?