For production purpose: 500D, 7D or 5DMK2?


prec85

New Member
Hi all,

I have decided to go on an upgrade from a super old DV-tape camcorder to HD video. However, my output format has all along been PAL 4:3 720x576 (since it will be aired onto a projector screen). Will the HD resolution affect the final output in anyway?

Also, which v-DSLR would you all recommend?
 

5D mk11 if you hv the budget. One of Canon's best camcorder-cum-DSLR
 

5D mk11 if you hv the budget. One of Canon's best camcorder-cum-DSLR

Agree. 5D2 performs very well in extreme low light condition. Able to shoot at ISO 12800 at 1/30 f1.4 (if you have the lens). Video is very sharp. only thing is you need a external mic for good sound.
 

Your new HD quality master is best projected via the DVI or VGA output of a laptop. Unless you have a blu-ray and HD projector set-up, you will end up having to downscale your video to standard DVD quality when you use the projector's SD inputs such as via RCA, S-Video or SD Component. That said, shooting in HD will result in better color and dynamic range and less aliasing even when down-converted to DVD.

Canon's 5D, 7D, and 550D, video quality notwithstanding, have certain drawbacks when it comes to heavy professional use. The overheating and power cut-off is a major bugbear you will have to contend with. Unless you alternate between two bodies, there's no way to shoot continuously for more than 30 minutes. There is also no swivel LCD and no autofocus.

Panasonic's Lumix GH-1 and upcoming G2 on the other hand has none of these issues. The autofocus micro 4/3 lens you buy for these cameras will be 100% compatible with the first micro4/3 sensor video camera AG-AF100 coming out end of this year. With G2, you also get intelligent track-focusing in video mode. Imagine a focus-puller built into your camera! There are also a host of touchscreen focusing capabilities. Another plus side to GH1 and G2 is their ability to record 5 minute HD motion jpeg clips as 720p quicktime. For FCP users, that means real-time editing without transcoding.
 

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hey man
what kind of lens mount does the G2 use?
 

i've never trust auto focus in video camera, i dn even trust canon j101 HD lens to do the focusing so how do i deal wif that??? :p
 

There are currently five dedicated autofocus lens for the GH, GF and G series.

7-14mm F4 (equivalent to 14-28mm, not much bokeh obviously)
14-42mm/f3.5-5.6 (28-84mm in 35mm terms ; kit lens launching with G2)
14-140mm/f4-5.6 GH-1 kit lens (28-280mm in 35mm terms ;shallow DOF at longer focal length)
pancake 20mm f1.7 (equivalent to 40mm, extremely shallow DOF)
Panasonic Leica DG Macro-Elmarit 45mm F2.8 (equivalent to 90mm, shallow DOF)

You can also use any 35mm lens with adapter. No autofocus function of course. Take note of the 2X magnification factor. No shortage of fast long lenses in this category. But I'll go with the dedicated panasonic 7-14mm F4 for the wider angles (unless you don't mind paying $30,000 for a Nikon AI-S 13mm/5.6 just to use it as a 26mm) Of course, for video, its still better to go with prime lenses as zoom lenses tend to change focal length slightly when rack-focusing.
 

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I did look at GH as well but was rather concern about its video quality and low light sensitivity.

I guess the only issue stopping me from getting a DSLR for production vs traditional HD video cams is the issue of overheating and having to wait and let it cool down. Since I do not own a 5D or 7D yet, I do not know how long must I wait before it cools down. But then again, my filming style only requires say 5-7mins max continuous shooting before the next scene is set up which probably takes another 10mins of non-shooting time? Will that help in granting me "continuous" shooting?
 

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You may want to wait for G2 at half the price of the GH1 and some cutting edge touchscreen features.
 

All cameras has pro and con.
Rent one and start shooting, then decide which one is for you.

Cheers!
 

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