to have enough light at high shutter speeds without raising your iso, you need a wide aperture. if your shutter speed is raised too high on f3.5, you'll have to compromise your picture by cranking up the iso which makes it more grainy. some people want that, others dont.
that's why aperture gives you more options. by being able to step up to f2.8, you're allowing shots that would otherwise force you to raise shutter speed and raise iso. f5.6 is possible to freeze motion, but try taking that to anything that isnt very well lit, you're gonna have a big problem (or rather a dilemma).
i'm sure when we all first started out with kit lens and f3.5, and we look at that water fountain and we're like: i wanna freeze that water!
and we couldnt! not very well at least. f2.8 gives you an OPTION. it's not perfect, but it's good for a zoom. how's TS doing with his choice so far?
oh and yeah i still extoll 70-200 IS Mark I, but when there's Mark II, you go for that first. Not enough cash but still want IS? Mark I. Not enough cash again but still want f2.8? Non-IS. just my two cents =D
to have enough light at high shutter speeds without raising your iso, you need a wide aperture. if your shutter speed is raised too high on f3.5, you'll have to compromise your picture by cranking up the iso which makes it more grainy. some people want that, others dont.
that's why aperture gives you more options. by being able to step up to f2.8, you're allowing shots that would otherwise force you to raise shutter speed and raise iso. f5.6 is possible to freeze motion, but try taking that to anything that isnt very well lit, you're gonna have a big problem (or rather a dilemma).
but don't forget that wider aperture = shallower depth of field
but don't forget that wider aperture = shallower depth of field
Which is very important for potraits as mentioned earlier!
rhino123 said:But when taking portraiture shots, many don't go as big an aperture as a f/2.8... because at f/2.8, the DOF will be really thin, and most likely only part of the face will be in focus while all others are blurred out.
But when taking portraiture shots, many don't go as big an aperture as a f/2.8... because at f/2.8, the DOF will be really thin, and most likely only part of the face will be in focus while all others are blurred out.
That is because you are too close to your subject
Anyway, shallow DOF are nothing to be complained, otherwise how will F1.2L/F1.8L survive?
You guys are posting pics taken with the f2.8L IS which is NOT the same as the standard f2.8L.
The bokeh is diff, the sharpness is diff and the Price is very different.
The optical IQ and bokeh from non-IS 70-200 F2.8L should be even better than IS one.
That's why I always thumb up an F/2.8 lens (either IS or not). Optical bokeh from F2.8 can never been melt on an F4 lens and always better than any bokeh made artificially by photoshop.
Ha, 70-200 F/2.8L!
EF70-200 F/2.8L IS - this lens shouldn't even be mentioned because its discontinued, you're way OT.
I assume you'd never used this two lens.
We're talking about EF70-200 F2.8/L USM and EF70-200 F/2.8L IS.
Are you talking about the new king EF70-200 F/2.8L IS II?