you already have the answer.enyu said:my monitor is not calibrated, is it safe to use auto-level with PS and sent for lab printing ? can PS do batch auto-level ? I noticed PS auto-level sometime can be inconsistent.![]()
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enyu said:my monitor is not calibrated, is it safe to use auto-level with PS and sent for lab printing ? can PS do batch auto-level ? I noticed PS auto-level sometime can be inconsistent.![]()
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enyu said:Never expected digital photography can be that complicated... really miss SLR days..looks like I have got ALOT to learn from u guys.... in particular the PS..thks :thumbsup: :thumbsup:
To me, the journey from exposure to print in digital photography is very much similar to that in film photography.enyu said:Never expected digital photography can be that complicated... really miss SLR days..looks like I have got ALOT to learn from u guys.... in particular the PS..thks :thumbsup: :thumbsup:
tomcat said:In digital photgraphy, we now have to apportunity to do some of the post-processing work in our digital darkroom. So the final outcome now could depend on how good we are in applying digital post-processing techniques if we chose this path from exposure to print. We can of course do the same as in film photography and just snap and send to the neighbourhood digital photo lab. Again, we might observe that some digital labs are better than other depending on how skillful the operators of the automated printing machine are in assessing the need for post-processing adjustments for each print run or even each image if it's a reprint. In the world of digital photography, there are also professional printers who are more adept in digital post-processing techniques for those who want to get the best out of their images for competitions or exhibitions.
thobs said:using Auto-Level in PS may give you a better result but not the best
try &/or experiment with it