Anyone got their hands on the 16-35 f4 yet? (nt)


I never said it was not acceptable? :dunno:

And I didn't mention anything about it being non-acceptable as well...:p I was referring to previous posts of people mentioning about the bad distortion of this lens when it looks perfectly alright to me....

Quote post #121...
 

Looks sharp to me, though there is nothing at the corners to make reference to .... :) You still shoot film? (Nikon FA?)

-- marios

Haha. Not a FA. A FM2. I use it to teach my employees shutter speed, aperture and ISO ;p

though there is nothing at the corners to make reference to ....

If you download the full res file, you will see that the film box is blurred, and the hotshoes of the SB900 and SB800s. No need to even go to the extreme corners.

Also note that there is a slight DOF issue, but even then, you can tell the blurring is not due to DOF (different blur characteristic). Btw, don't have time to do 100% crops, so sorry about that :D
 

Haha. Not a FA. A FM2. I use it to teach my employees shutter speed, aperture and ISO ;p



If you download the full res file, you will see that the film box is blurred, and the hotshoes of the SB900 and SB800s. No need to even go to the extreme corners.

Also note that there is a slight DOF issue, but even then, you can tell the blurring is not due to DOF (different blur characteristic). Btw, don't have time to do 100% crops, so sorry about that :D

Now that you mentioned it, I noticed that too...So the blurriness is due to the lens??
 

And I didn't mention anything about it being non-acceptable as well...:p I was referring to previous posts of people mentioning about the bad distortion of this lens when it looks perfectly alright to me....

Quote post #121...

Ah ok.

I doubt you can tell from this photos - as it is, the lines in my bag are not straight to begin with :bsmilie:
 

Now that you mentioned it, I noticed that too...So the blurriness is due to the lens??

Yes. As I mentioned before in my previous previous previous post, this lens didn't "stun" me. Sharper than my 17-35mm? Debatable to me.

A lemon? I don't know - it's sharp in the centre. Real sharp.

If you ask me to choose between this and the 17-35mm I'd take my 17-35mm. But my 17-35mm MAY BE an extremely sharp copy, I haven't played with enough 17-35mms to make a judgement call.
 

Yes. As I mentioned before in my previous previous previous post, this lens didn't "stun" me. Sharper than my 17-35mm? Debatable to me.

A lemon? I don't know - it's sharp in the centre. Real sharp.

If you ask me to choose between this and the 17-35mm I'd take my 17-35mm. But my 17-35mm MAY BE an extremely sharp copy, I haven't played with enough 17-35mms to make a judgement call.

Btw, do you have with you the 14-24? Is it sharper than the 16-35? The fact that the 14-24 can't take filters is a little worrisome for me....:sweat:
 

Btw, do you have with you the 14-24? Is it sharper than the 16-35? The fact that the 14-24 can't take filters is a little worrisome for me....:sweat:

No I don't. In my line of work I need the 35mm part of the 17-35mm so 14-24mm is out for me. But 14-24 is sharper. And do not forget the 17-35mm is f/2.8 - what will happen if you stop it down to f/4? (Interesting question, cause I have never actually done a comparison before).

Anyway for the record, I think sharpness is overrated - there are plenty more things to worry about like build of the body, lack of aperture ring..

What's the worry about filters? Nowadays with digital you can replicate almost anything on the computer with the exception of a CPL filter. I'd even say you can replicate a GND to some extent.


Below casual comparison shots between my 17-35mm (on D3) and 16-35mm (on D3x). Both shot at their widest aperture, f/2.8 and f/4 respectively. (Click on the links to download the full-res images).

y9xzljp
ykaqk6a
 

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No I don't. In my line of work I need the 35mm part of the 17-35mm so 14-24mm is out for me. But 14-24 is sharper. And do not forget the 17-35mm is f/2.8 - what will happen if you stop it down to f/4? (Interesting question, cause I have never actually done a comparison before).

Anyway for the record, I think sharpness is overrated - there are plenty more things to worry about like build of the body, lack of aperture ring..

What's the worry about filters? Nowadays with digital you can replicate almost anything on the computer with the exception of a CPL filter. I'd even say you can replicate a GND to some extent.


Below casual comparison shots between my 17-35mm (on D3) and 16-35mm (on D3x). Both shot at their widest aperture, f/2.8 and f/4 respectively. (Click on the links to download the full-res images).

y9xzljp
ykaqk6a


I'm not good with photoshop....:sweat:
 

Btw, do you have with you the 14-24? Is it sharper than the 16-35? The fact that the 14-24 can't take filters is a little worrisome for me....:sweat:

Who told you so? Lee filters makes a dedicated filter holder for the 14-24. A price to pay though.
 

Who told you so? Lee filters makes a dedicated filter holder for the 14-24. A price to pay though.

That price.. sheesh. I'd rather not have the filter.
 

wonder wad cokin holder will be suitable for 16-35
my P wide angle adapter still vignette a little bit @ 16mm
thinking maybe z-pro, or even x-pro.
any idea?
 

Who told you so? Lee filters makes a dedicated filter holder for the 14-24. A price to pay though.

Well, probably should have had it phrased properly....It won't take on screw on filters....The one I saw on B&H photo was like what? $500++ Its crazy.....And I'll love to have a screw on at all times just to protect the front elements....
 

Haha. Not a FA. A FM2. I use it to teach my employees shutter speed, aperture and ISO ;p



If you download the full res file, you will see that the film box is blurred, and the hotshoes of the SB900 and SB800s. No need to even go to the extreme corners.

Also note that there is a slight DOF issue, but even then, you can tell the blurring is not due to DOF (different blur characteristic). Btw, don't have time to do 100% crops, so sorry about that :D

LOL, I have to agree about sharpness being over rated.

Overly sharp lenses make things appear plasticky. BTW, the bag photo was taken at f/5.6 at 35mm, oddly enough, the camera engraved "D3" is in focus, same as the D3 on the neck-strap but not the flash hot shoes (like you stated), or the 80(?)-???mm f/2.8 aperture engravings, which I would have expected at 5.6 and 35mm....

:)
 

Who told you so? Lee filters makes a dedicated filter holder for the 14-24. A price to pay though.

Cokin apparently do one which I found out on this forum, $200 gets you up and running if you live in the UK. And erm, double that if you live in America...
 

LOL, I have to agree about sharpness being over rated.

Overly sharp lenses make things appear plasticky. BTW, the bag photo was taken at f/5.6 at 35mm, oddly enough, the camera engraved "D3" is in focus, same as the D3 on the neck-strap but not the flash hot shoes (like you stated), or the 80(?)-???mm f/2.8 aperture engravings, which I would have expected at 5.6 and 35mm....

:)

Oh?! I shot it at f/5.6? Paiseh! :embrass:
Well then... if at f/5.6 it's like that I nothing to say. Either a real lemon, or the lens is just not that much of an improvement :dunno:

Then maybe my 17-35mm is also not at f/2.8. Might have messed up a series of pictures - yesterday was my "off" day. Back to work again.
 

wonder wad cokin holder will be suitable for 16-35
my P wide angle adapter still vignette a little bit @ 16mm
thinking maybe z-pro, or even x-pro.
any idea?

Bro, Z pro works with no vignetting on my former 17-35 f2.8, using it before i made a switch to Lee's :)

Think should be fine on 16-35mm f4
 

Actually I'm kinda new and puzzled to this filter thinggie....Say other than a neutral hard glass filter for protection, does leaving a CPL on that "new-spanking-wide-angle-lens-you-just-got-off-the-shelf" sound like a good idea?
 

Actually I'm kinda new and puzzled to this filter thinggie....Say other than a neutral hard glass filter for protection, does leaving a CPL on that "new-spanking-wide-angle-lens-you-just-got-off-the-shelf" sound like a good idea?

The CPL results in a lost of about 1.5 stops depending on how much polarising you are doing. So not a good idea in a good number of situations, including your view through the viewfinder.
 

Actually I'm kinda new and puzzled to this filter thinggie....Say other than a neutral hard glass filter for protection, does leaving a CPL on that "new-spanking-wide-angle-lens-you-just-got-off-the-shelf" sound like a good idea?

Bro, not recommended for use in dim/low light conditions as it doubles up as a ND (loss up to 2 stops) when polarizing at work.
 

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