if that's the case, then it is your personal preference that counts because the differences are in the feel rather than in the absolute technical quality... you've gotta try them out yourself...How would CZ / Leica lenses compare to the Nikon/Canon, in terms of colour, tonal gradient, highlight/shadow details. I'm looking more at the transmission and spectral aspects rather than spatial resolution.
All hail mother russia! :bsmilie:
tell you what, i dont mind trading my ZFs for some of the nikon AIS and the newer nikon zooms. esp the 24/70
if that's the case, then it is your personal preference that counts because the differences are in the feel rather than in the absolute technical quality... you've gotta try them out yourself...
if its a particular colour rendition you prefer, shoot in RAW and adjust the colours to your liking from there ;p in the days of film, the lens had a huge part to play in the colour you capture, but with digital, we can tweek the colours to our hearts delight... ... or if still prefering to shoot in jpegs, just batch in some curves which adjust the colour feel you like...Even if the composition is bad etc.. there is still something about the colour that makes me take a second look. I would like to be able to quantify that... Transmission curves? Spherical aberration correction? I believe it's curves but I think it's more than just that because even though the curves on Sony and Nikon are different, shots with ZA and ZF appears to have something in common.
if its a particular colour rendition you prefer, shoot in RAW and adjust the colours to your liking from there ;p in the days of film, the lens had a huge part to play in the colour you capture, but with digital, we can tweek the colours to our hearts delight... ... or if still prefering to shoot in jpegs, just batch in some curves which adjust the colour feel you like...
if its a particular colour rendition you prefer, shoot in RAW and adjust the colours to your liking from there ;p in the days of film, the lens had a huge part to play in the colour you capture, but with digital, we can tweek the colours to our hearts delight... ... or if still prefering to shoot in jpegs, just batch in some curves which adjust the colour feel you like...
Wasn't Praktica East German? The Russians ones are Zenit.
that's why I mentioned batching the curve if on jpg or using a particular group of settings if processing RAW... the results should be as consistent as if using a particular lens which would give a particular colour rendition... season to tasteCan you imagine tweaking every single picture to the style you want? You might be able to get 80% of the look if you try very hard and work for very long, but I can simply use the said lens and take seconds to take a shot and know it'll come out the way I want it.
like I mentioned, the colour adjustment is only if one is looking for a particular colour rendition, not for micro contrast, bokeh, optical aberration, or any number of other items...Plus, the lens signature isn't very obvious, making it even harder to spot. Plus you have micro contrast and increased sharpness that you can't PS on.
Samuel
you probably need to adjust individual colour curves... otherwise, you would only affect the overall brightness and contrast...Tried tweaking camera curves before before but it's really difficult to get the right feel.. Maybe need separate RGB curves.. Can get close but still missing something. Might be microcontrast like what alternative mentioned?
I like this discussion because we get to see both views. People who advocate these lenses and people who don't. I'm sitting on the fence. :thumbsup:
for me, if its a colour issue, I'ld forget about getting the lens... if the lens gives me other advantages (depending on usage) like sharpness, bokeh, faster lens, better AF, closer focusing, etc, I would consider making the purchase, budget willing...
:embrass:i believe u r a photo editing expert. not all photographers are photo editing experts. some will prefer lenses that give good or refreshing colours without photo editing.
:embrass:
but its the same kind of commitment with enthusiasts who develop their own film... and now, as some have said, we can make the choice of colour, not someone in Fujifilm or Kodak, or some lens manufacturer
Strange that the discussion does not mention about the Pentax Limiteds i.e. 31mm, 43mm and 77mm. The first and the third were really some great glass, not to mention affordable too.
So far, there has been lots of talk/text, but no one has posted any pictures to illustrate if there is any visible difference for a direct comparison.
Maybe, the difference is so very minute that you need a magnifying glass to see at 100%. So far, I have not seen any comparison in any website or any magazine. Hope that someone could do some meaningful comparison. We have seen 3 pages of text and not a single picture to show...... :think:
I don't think the japanese have caught up at all, actually. In the example of canon, lenses are not their only focus. The L lenses are not as sharp as a Zeiss or Leica.
Plus, different lens manufactures use different techniques to make their lenses stand out; each lens has it's own attributes, special coating technology, quality of glass used, etc.
In case of Sony, I have used Minolta G, CZ and Leica. The Leica/Leitz 70-210 f/4 was developed for Leica by Minolta and is the same lens as the minolta "beercan".
This is what I can tell you:
1. CZ goes for very very sharp images with a higher contrast, but slightly cooler tones. Flare reduction is fantastic.
2. Minolta G is sharp, but the strength is bokeh and the skintones are fantastic! Nice warm colors, smoother skin.
3. Leica: A balance between sharpness and bokeh, though the contrast and colors are lower. It's a cooler, more neutral image.
This is what I can tell you from taking pictures with all 3 lenses at 85mm f/4 and on the same body, same settings, same subject, etc.