joshua182 said:what is the point of a tiny lens on all your 1Ds and 5DMKIIIs boys! Bring out the big guns! They should be vying to make bigger, not smaller lenses!
Yes, I agree, every lens should be 10 kg and 2 meters long to make sure everyone knows how professional you are.
joshua182 said:Yes and they should make the damned red ring bigger, it's so small and unassuming. I need it to be loud and attention seeking, perhaps the most favorable solution would be the lens body to be completely red. Hm. I wonder if canon is listening! :Rage.!
Yes, I agree, every lens should be 10 kg and 2 meters long to make sure everyone knows how professional you are.
Completely red? No, it should be decorated with numerous LED lights and have a loudspeaker announcing in a calm voice that 'This is a L lens. Please note. This is a L lens..'
Already we have two great lenses in 35 f/2 and 50 f/1.4. Even the cheapest 5m f/1.8 is a capable lens.
Unable to understand rationale of a 40 f/2.8 version. For what?
I agree with this. IMHO it's a fine lens for a full frame but what does it offer that the 50 f/1.8 can't other than size? Even the aperture for low light is superior with the 50mm.
Perhaps if someone could compare field of view (FOV) between the 40mm pancake lens and the 50mm el cheapo lens, then there may be an application. In terms of weight both are light. IQ and bokeh in both are similar. The only 2 things that may differentiate both from each other are, 1. size and 2. FOV.
In my opinion, if the 50mm is left in your bag most of the time, then the 40mm will likely be left there too. This is why I don't plan to buy this lens.
Why did you buy from B&H? Unless you're living int he US? You save $18 but lose the local warranty and you have to wait for it to arrive
This lens has its merits over the 50 f/1.8 II:
1. Physically slightly smaller
2. Quieter, faster and smoother AF
3. Seven round aperture blades for better bokeh
4. Metal mount, as opposed to plastic
5. Better build, comparable to 85mm f/1.8
6. Slightly wider
7. Better IQ, according to MTF charts. Sharp wide open, unlike the 50 f/1.8
Look, not everyone buying this lens already own one of the 50mm or 35mm. I don't have any of those lenses. So with the above points listed, the choice for the new 40mm is a no brainier.
This lens is made specially for the 650D and future models that enables autofocus whilst filming. With other existing models, one needs to manually focus and normally buy the follow focus system to turn the focus ring for minimal shake...and that is costly. So all in all, it is a very cheap buy for those who use the video mode regularly. Being light helps a lot for the cameraman who does video the whole day. I normally use my 16-35mm for video and it is tough raising the camera with the lens the whole day. So in a way, it is not so much fair to comparie between the 40mm n 50mm 1.8. Side by side specs comparison can be done at Canon Singapire website.
Already we have two great lenses in 35 f/2 and 50 f/1.4. Even the cheapest 5m f/1.8 is a capable lens.
Unable to understand rationale of a 40 f/2.8 version. For what?
what is the point of a tiny lens on all your 1Ds and 5DMKIIIs boys! Bring out the big guns! They should be vying to make bigger, not smaller lenses!
Almost the same logic like those people who think...as long my gear/equipment looks big.. im look better and more professional..buy big camera or small camera then buy a battery grip just to make it look bigger..etc
Amuse me.
chengpenguin said:Personally I bought this lens as a lens that allows me to bring my 5D3 to work everyday. Currently I do have the 35L and 50L but they are bulky beasts. A pretty decent lens for a decent price![]()
You should be a professional photographer by bringing tour gear to work everyday