PetaPixel The Unique ‘Sauce’ of the Fujifilm GFX Eterna is Color, Tonality, and Sensor Flexibility


A professional video camera with a large lens and matte box mounted on a tripod, set up in a studio with bright lights in the background.

Late last year when Fujifilm announced that it was putting the sensor found in its GFX 100 II into a cinema camera, I was not clear on the value proposition. While huge, the slow sensor didn't feel suited to movie-making. After spending some time with the camera yesterday, however, I'm starting to see the vision.

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