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Every photographer has a collection of images that almost worked. The composition was there, the moment was right, but something about the light fell flat, or the exposure didn't quite capture what your eyes saw in person. We also tend to accumulate old family photographs in shoeboxes and drawers, images yellowed by time and marked by creases from decades of handling. These are the kinds of problems that used to require either significant manual work in Photoshop or simply acceptance that some photos couldn't be saved.
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