PetaPixel Photographers Don’t Want Their Negatives Back From the Lab Anymore


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A person is examining a strip of photographic film held up to the light in a dim, red-lit room, likely a darkroom. Their expression appears focused and thoughtful as they inspect the film. The setting suggests a process related to photo development.

Ansel Adams once said that the photo negative is like a composer's score and the print is the performance, so why do so many modern analog photographers not want their film strips back anymore?

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