Bamboopictures
Senior Member
Problem:
When shooting for continuity, solo run&gun style with a camcorder/DSLR, there could be instances when you need to zoom in/out or change camera angle rapidly. Continuity may suffer if something important happnens or is spoken/performed on cam when the shooter is changing composition. Ideally, there should be 2 cameras, one for the master shot and one for close-ups.
A 2 camera set-up however poses its own problem if the subject is constantly on the move or if using a tripod is not possible.
Solution:
Gopro6 IBIS is now legendary. A GoPro 6 B-cam on a headstrap can simulate a static tripod shot very well. Simply connect a Vufine wearable display to the Gopro6 and you will be able to frame the Gopro's shot very accurately with one eye.
Turn your head to pan, look up or down to tilt the Gopro. Walk like a ninja to dolly in-out.
Go for close-ups with the A-cam with peace of mind.
When shooting for continuity, solo run&gun style with a camcorder/DSLR, there could be instances when you need to zoom in/out or change camera angle rapidly. Continuity may suffer if something important happnens or is spoken/performed on cam when the shooter is changing composition. Ideally, there should be 2 cameras, one for the master shot and one for close-ups.
A 2 camera set-up however poses its own problem if the subject is constantly on the move or if using a tripod is not possible.
Solution:
Gopro6 IBIS is now legendary. A GoPro 6 B-cam on a headstrap can simulate a static tripod shot very well. Simply connect a Vufine wearable display to the Gopro6 and you will be able to frame the Gopro's shot very accurately with one eye.
Turn your head to pan, look up or down to tilt the Gopro. Walk like a ninja to dolly in-out.
Go for close-ups with the A-cam with peace of mind.
Last edited:
