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A little different from the last handful of episodes, Nathan Elson’s How I Got the Shot, Episode 7, moves into a darker-toned portrait set marked by its emphasis on moody overhead lighting.
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FStoppers Even Light for Full-Length Portraits
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A little different from the last handful of episodes, Nathan Elson’s How I Got the Shot, Episode 7, moves into a darker-toned portrait set marked by its emphasis on moody overhead lighting.
[ Read More ]
Continue reading...
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