Bamboopictures
Senior Member
Thanks for your suggestions. Im considering the following:
1. H5+SGH6+lav mic
2. Rode VMP + Lav
3. DR60D II + VMP / AT875R + Lav
Option 1
Pros:
1. versatile: H5 can be used onboard, plugged to venue mixers, or boomed with SGH6.
2. clean audio: does not rely on the internal circuits of the Nikon
Cons:
1. SGH6 module replaces the X/Y capsule module which also contains the 3.5mm port. XLR lav needed for 2nd channel.
2. H5 Ergonomics not great for on-board use. Likely have to view the H5's LCD upside down/sideways if you want to use the viewfinder of the Nikon. When using the SGH6 on board, there's no way to use viewfinder.
Option 2:
pros:
1. Shotgun good for close quarter shooting. Lav good for interviews.
Cons:
1. Nikon circuits may be hissy
2. No safety backup, no way to monitor with headphones
Option3:
pros: monitored, safety recording with synched passthrough to cam.
XLR port positions better than on board H5 config.
cons: camera+tascam is tall and heavy. May limit run-and-gun/slider application
Consider Tascam DR-10C for onboard use.
Pros:
independent recording, headphone out, passthrough to camera, will accept 3.5mm shotguns and lavs.
dual track recording for second safety level. Can be used on-persons too. Can carry in trouser pocket.
cons:
no visual levels indicator during recording. Volume settings limited to lo-mid-hi.
additional MCC2 required for 2 input recording/precise volume control/coldshoe for shotgun.
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